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Englisch
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Beschreibung
Pedro de Mena y Medrano (1628-1688) is nowadays the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows a lot of details and remarkable images of his hyper-realistic sculptures, full of Spanish passion. Apart from the article by curator Xavier Bray, it also features important contributions by José Luis Romeo Torres, curator of the monographic exhibition Pedro de Mena, to be held in Málaga in 2019.
Pedro de Mena y Medrano (1628-1688) is nowadays the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows a lot of details and remarkable images of his hyper-realistic sculptures, full of Spanish passion. Apart from the article by curator Xavier Bray, it also features important contributions by José Luis Romeo Torres, curator of the monographic exhibition Pedro de Mena, to be held in Málaga in 2019.
Über den Autor
Since 2002, Xavier Bray has been assistant curator of 17th- and 18th-century European paintings at the National Gallery, London. He completed his doctoral dissertation, "Royal Religious Commissions as Political Propaganda in Spain under Charles III," at Trinity College, Dublin, in 1999. Between 1998 and 2000, he was assistant curator at the National Gallery, London, where he co-curated exhibitions such as Orazio Gentileschi at the Court of Charles I (1998-1999), A Brush with Nature: The Gere Collection of Landscape Oil Sketches (1999), and The Image of Christ: Seeing Salvation (2000). He was also the curator of a focus exhibition on Goya's Family of the Infante Don Luis (2001-2002). From 2000 to 2002 Bray was the curator of paintings at the Museum of Fine Arts in Bilbao, where he organised exhibitions such as An Intimate Vision - Women Impressionists (2001-2002) and Vicente López: Court Painter to Fernando VII (2002). He returned to the National Gallery, London, in 2002 and was the co-curator of El Greco (2004), Caravaggio (2005), and Velázquez (2006). The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700 (2009) was the first solo exhibition organised by Bray. José Luis Romero Torres is art historian and conservator at the Patrimonio Histórico de la Junta de Andalucía.
Details
| Erscheinungsjahr: | 2019 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9789492677914 |
| ISBN-10: | 9492677911 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: |
Romero Torres, Jose Luis
Bray, Xavier |
| Hersteller: | Hannibal Books |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 294 x 235 x 34 mm |
| Von/Mit: | Jose Luis Romero Torres (u. a.) |
| Erscheinungsdatum: | 01.10.2019 |
| Gewicht: | 1,576 kg |