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Oxford Handbook of Improvisation in Dance
Buch von Vida L Midgelow
Sprache: Englisch

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Beschreibung
This handbook offers new arguments about the ways that dance improvisation informs understandings of history, socio-cultural conditions, lived experience, and technologies.
This handbook offers new arguments about the ways that dance improvisation informs understandings of history, socio-cultural conditions, lived experience, and technologies.
Über den Autor
Vida L Midgelow is Professor in Dance and Choregraphic Practices at Middlesex University. Her interests, that encompass somatics, improvisation, and practice-as-research, have become increasingly methodological in focus leading to publications such as Improvisation as paradigm for Phenomenology (2018); "Some Fleshy Thinking: Improvisation, Experience, Perception" (2015) and "Creative Articulations Process" (2015). She is the Director of the Erasmus Plus funded Artistic Doctorates in Europe Project and co-editor of the hybrid peer reviewed journal Choreographic Practices.
Inhaltsverzeichnis
  • Introduction. Improvising Dance: A Way of Going About Things

  • Vida L Midgelow

  • Section 1: Life worlds and Ethics

  • 1. Life Practices

  • Ann Cooper Albright

  • 2. Ethico-aesthetic practice of improvising: relations through motion

  • Fiona Bannon

  • 3. Reflections on dance improvisation and its dynamic interrelationship with everyday movement

  • Libby Worth

  • 4. A Philosophy of the Improvisational Body

  • Sondra Fraleigh

  • 5. Chance encounters, Nietzschean philosophy and the question of improvisation Philipa Rothfield

  • 6. Moving in medias res: Towards a phenomenological hermeneutics of dance improvisation

  • Nigel Stewart

  • Section 2: Attunement and Perception

  • 7. I notice that I'm noticing...

  • Sally Doughty

  • 8. Embodied Consciousness in Improvised Performance

  • Nalina Wait

  • 9. 'Mass may be the single most important sensation': Perceptual Philosophies in Dance Improvisation

  • Malaka Sacro-Thomas

  • 10. Rethinking Improvisation from a Daoist perspective of Qi-energy

  • I-Ying Wu

  • 11. Exploring Uncertainties of Language in Dance Improvisation

  • Louise McDowall

  • Section 3: Habit, Freedom and Resistance

  • 12. Improvisation and Habit

  • Gary Peters

  • 13. Unpredictable Maneuvers: Eva Karczag's Improvised Strategies for Thwarting Institutional Agendas

  • Doran George

  • 14. Movements of freedom: performing popular liberty in the early cancan

  • Claire Parfitt-Brown

  • 15. Valorizing Uncertainty: Chance, Totalitarianism and Soviet Ballet

  • Janice Ross

  • 16. The Emancipation of Improvisation

  • Larry Lavender

  • Section 4: Memory and Transmission

  • 17. Improvisation and Argentinean Tango: On playing with body memories

  • Susanne Ravn

  • 18. Dancing Life

  • Norah Zuniga Shaw

  • 19. What Remains

  • Robert Bingham and Stephanie Hanna

  • 20. Improvisational Practices in Jazz Dance Battles

  • Jane Carr and Irven Lewis

  • 21. Twelve Days in Tarbena: an evolutionary approach to moving through silence and sound to speech in Ruth Zaporah's Action Theater training

  • Robert Vesty

  • 22. Intention and Surrender

  • Stephanie Skura

  • Section 5: Agency and Transformation

  • 23. Transcending Boundaries: Improvisation and disability in dance

  • Sarah Whatley

  • 24. Artful humanising conversations: Improvisation in Early Years dance

  • Kerry Chappell and Lizzie Swinford

  • 25. Instinctive Connections: Improvisation as a research methodology in health and care settings

  • Lisa Dowler

  • 26. Somatic Sensing and Creaturely Knowing in the University Improvisation Class

  • Ali East

  • 27. Improvising Happiness: Belly Dance's Evolution through Improvisation

  • Barbara Sellers Young

  • Section 6: Interconnectivity, emergence and technologies

  • 28. Dancing the Interface: Improvisation in Zones of Virtual Exchange

  • Thomas DeFrantz

  • 29. Programmed Improvisation Inspied from Autonomous Humanoids

  • Amy LaVeirs

  • 30. Contact Improvisation and Embodied Social Cognition

  • April Flakne

  • 31. Modelling Improvisation as Emergence: A Critical Investigation of the Practice of Cognition

  • Colleen Dunagan, Roxane Fenton, and Evan Dorn

  • 32. Towards a cognitive theory of joint improvisation: The case of tango argentino

  • Micheal Kimmel

  • Section 7: Ecology and Environments

  • 33. Improvisation and the Earth: Dancing in the Moment as Ecological Practice

  • Tamara Ashley

  • 34. Dancing the Land: An Emerging Geopoetics

  • Melinda Buckwalter

  • 35. Scoring and Siting: Improvisatory Approaches to Site-Specific Dance

  • Victoria Hunter

  • 36. The Dancer, the Philosopher and the Tramp

  • Hilary Elliot

  • 37. Audience Improvisation and Immersive Experiences: the sensuous world of the body in the work of Lundahl and Seitl

  • Josephine Machon

  • Section 8: Techniques, Strategies and Histories

  • 38. Lost in the Footlights: The Secret Life of Improvisation in Contemporary American Concert Dance

  • Kent De Spain

  • 39. In the Moment: Improvisation in Traditional Dance

  • Anthony Shay

  • 40. Playing with the Beat: Choreomusical Improvisation in Rhythm Tap Dance

  • Allison Robbins and Christopher J. Wells

  • 41. Moving Sound: New Relationships between Contemporary Dance and Music in Improvisation

  • Anna Sanchez Colberg and Dimitris Karalis

  • 42. Mens Agilis Corpore Agili

  • Ivar Hagendoorn

  • 43. Embodiology®: A Hybrid Neo-African Improvisation-as-Performance Practice distinguished by Dynamic Rhythm

  • Sheron Wray

Details
Erscheinungsjahr: 2019
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780199396986
ISBN-10: 0199396981
Sprache: Englisch
Einband: Gebunden
Autor: Midgelow, Vida L.
Redaktion: Midgelow, Vida L
Hersteller: Hurst & Co.
Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de
Maße: 253 x 176 x 48 mm
Von/Mit: Vida L Midgelow
Erscheinungsdatum: 09.04.2019
Gewicht: 1,53 kg
Artikel-ID: 121048338
Über den Autor
Vida L Midgelow is Professor in Dance and Choregraphic Practices at Middlesex University. Her interests, that encompass somatics, improvisation, and practice-as-research, have become increasingly methodological in focus leading to publications such as Improvisation as paradigm for Phenomenology (2018); "Some Fleshy Thinking: Improvisation, Experience, Perception" (2015) and "Creative Articulations Process" (2015). She is the Director of the Erasmus Plus funded Artistic Doctorates in Europe Project and co-editor of the hybrid peer reviewed journal Choreographic Practices.
Inhaltsverzeichnis
  • Introduction. Improvising Dance: A Way of Going About Things

  • Vida L Midgelow

  • Section 1: Life worlds and Ethics

  • 1. Life Practices

  • Ann Cooper Albright

  • 2. Ethico-aesthetic practice of improvising: relations through motion

  • Fiona Bannon

  • 3. Reflections on dance improvisation and its dynamic interrelationship with everyday movement

  • Libby Worth

  • 4. A Philosophy of the Improvisational Body

  • Sondra Fraleigh

  • 5. Chance encounters, Nietzschean philosophy and the question of improvisation Philipa Rothfield

  • 6. Moving in medias res: Towards a phenomenological hermeneutics of dance improvisation

  • Nigel Stewart

  • Section 2: Attunement and Perception

  • 7. I notice that I'm noticing...

  • Sally Doughty

  • 8. Embodied Consciousness in Improvised Performance

  • Nalina Wait

  • 9. 'Mass may be the single most important sensation': Perceptual Philosophies in Dance Improvisation

  • Malaka Sacro-Thomas

  • 10. Rethinking Improvisation from a Daoist perspective of Qi-energy

  • I-Ying Wu

  • 11. Exploring Uncertainties of Language in Dance Improvisation

  • Louise McDowall

  • Section 3: Habit, Freedom and Resistance

  • 12. Improvisation and Habit

  • Gary Peters

  • 13. Unpredictable Maneuvers: Eva Karczag's Improvised Strategies for Thwarting Institutional Agendas

  • Doran George

  • 14. Movements of freedom: performing popular liberty in the early cancan

  • Claire Parfitt-Brown

  • 15. Valorizing Uncertainty: Chance, Totalitarianism and Soviet Ballet

  • Janice Ross

  • 16. The Emancipation of Improvisation

  • Larry Lavender

  • Section 4: Memory and Transmission

  • 17. Improvisation and Argentinean Tango: On playing with body memories

  • Susanne Ravn

  • 18. Dancing Life

  • Norah Zuniga Shaw

  • 19. What Remains

  • Robert Bingham and Stephanie Hanna

  • 20. Improvisational Practices in Jazz Dance Battles

  • Jane Carr and Irven Lewis

  • 21. Twelve Days in Tarbena: an evolutionary approach to moving through silence and sound to speech in Ruth Zaporah's Action Theater training

  • Robert Vesty

  • 22. Intention and Surrender

  • Stephanie Skura

  • Section 5: Agency and Transformation

  • 23. Transcending Boundaries: Improvisation and disability in dance

  • Sarah Whatley

  • 24. Artful humanising conversations: Improvisation in Early Years dance

  • Kerry Chappell and Lizzie Swinford

  • 25. Instinctive Connections: Improvisation as a research methodology in health and care settings

  • Lisa Dowler

  • 26. Somatic Sensing and Creaturely Knowing in the University Improvisation Class

  • Ali East

  • 27. Improvising Happiness: Belly Dance's Evolution through Improvisation

  • Barbara Sellers Young

  • Section 6: Interconnectivity, emergence and technologies

  • 28. Dancing the Interface: Improvisation in Zones of Virtual Exchange

  • Thomas DeFrantz

  • 29. Programmed Improvisation Inspied from Autonomous Humanoids

  • Amy LaVeirs

  • 30. Contact Improvisation and Embodied Social Cognition

  • April Flakne

  • 31. Modelling Improvisation as Emergence: A Critical Investigation of the Practice of Cognition

  • Colleen Dunagan, Roxane Fenton, and Evan Dorn

  • 32. Towards a cognitive theory of joint improvisation: The case of tango argentino

  • Micheal Kimmel

  • Section 7: Ecology and Environments

  • 33. Improvisation and the Earth: Dancing in the Moment as Ecological Practice

  • Tamara Ashley

  • 34. Dancing the Land: An Emerging Geopoetics

  • Melinda Buckwalter

  • 35. Scoring and Siting: Improvisatory Approaches to Site-Specific Dance

  • Victoria Hunter

  • 36. The Dancer, the Philosopher and the Tramp

  • Hilary Elliot

  • 37. Audience Improvisation and Immersive Experiences: the sensuous world of the body in the work of Lundahl and Seitl

  • Josephine Machon

  • Section 8: Techniques, Strategies and Histories

  • 38. Lost in the Footlights: The Secret Life of Improvisation in Contemporary American Concert Dance

  • Kent De Spain

  • 39. In the Moment: Improvisation in Traditional Dance

  • Anthony Shay

  • 40. Playing with the Beat: Choreomusical Improvisation in Rhythm Tap Dance

  • Allison Robbins and Christopher J. Wells

  • 41. Moving Sound: New Relationships between Contemporary Dance and Music in Improvisation

  • Anna Sanchez Colberg and Dimitris Karalis

  • 42. Mens Agilis Corpore Agili

  • Ivar Hagendoorn

  • 43. Embodiology®: A Hybrid Neo-African Improvisation-as-Performance Practice distinguished by Dynamic Rhythm

  • Sheron Wray

Details
Erscheinungsjahr: 2019
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780199396986
ISBN-10: 0199396981
Sprache: Englisch
Einband: Gebunden
Autor: Midgelow, Vida L.
Redaktion: Midgelow, Vida L
Hersteller: Hurst & Co.
Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de
Maße: 253 x 176 x 48 mm
Von/Mit: Vida L Midgelow
Erscheinungsdatum: 09.04.2019
Gewicht: 1,53 kg
Artikel-ID: 121048338
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