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Beschreibung
A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development.
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development.
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
Über den Autor
Markand Thakar
Inhaltsverzeichnis
Preface
Acknowledgments
Make Beautiful Music: Involving Singularity of Tones in Succession and of Tones Sounding Simultaneously
Free the Mind, Hear Everything: Connecting the Open Consciousness to All the Sounds, All the Time
Free the Body: Involving the Necessity of Freeing the Body from Unnecessary Muscle Tensions
Be the Music: Applying the Free Body in the Service of a Maximally Beautiful Performance
Addendum A. Starting, Stopping, and Fermatas: Achieving a Collective Sense of When to Begin and End the Sound
Addendum B. Odds and Ends: A Miscellany of Matters Musical, Physical, and Practical
Bibliography
Index
Acknowledgments
Make Beautiful Music: Involving Singularity of Tones in Succession and of Tones Sounding Simultaneously
Free the Mind, Hear Everything: Connecting the Open Consciousness to All the Sounds, All the Time
Free the Body: Involving the Necessity of Freeing the Body from Unnecessary Muscle Tensions
Be the Music: Applying the Free Body in the Service of a Maximally Beautiful Performance
Addendum A. Starting, Stopping, and Fermatas: Achieving a Collective Sense of When to Begin and End the Sound
Addendum B. Odds and Ends: A Miscellany of Matters Musical, Physical, and Practical
Bibliography
Index
Details
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781648250965 |
| ISBN-10: | 1648250963 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Thakar, Markand |
| Hersteller: |
Boydell & Brewer Ltd.
University of Rochester Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Abbildungen: | 12 b/w and 60 line illus. |
| Maße: | 229 x 152 x 8 mm |
| Von/Mit: | Markand Thakar |
| Erscheinungsdatum: | 10.09.2024 |
| Gewicht: | 0,223 kg |