Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Dekorationsartikel gehören nicht zum Leistungsumfang.
On the Eve of the Future
Selected Writings on Film
Buch von Annette Michelson
Sprache: Englisch

42,85 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Produkt Anzahl: Gib den gewünschten Wert ein oder benutze die Schaltflächen um die Anzahl zu erhöhen oder zu reduzieren.
Kategorien:
Beschreibung
The first collection of Annette Michelson's influential writings on film, with essays on work by Marcel Duchamp, Maya Deren, Hollis Frampton, Martha Rosler, and others.

The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years' worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with the movement known as American Independent Cinema.

This volume includes the first critical essay on Marcel Duchamp's film Anemic Cinema, the first investigation into Joseph Cornell's filmic practices, and the first major explorations of Michael Snow. It offers an important essay on Maya Deren, whose work was central to that era of renewal and reinvention, seminal critiques of Stan Brakhage, Hollis Frampton, and Harry Smith, and overviews of Independent Cinema. Gathered here for the first time, these texts demonstrate Michelson's pervasive influence as a writer and thinker and her role in the establishment of cinema studies as an academic field.

The postwar generation of Independents worked to develop radically new terms, techniques, and strategies of production and distribution. Michelson shows that the fresh new forms they created from the legacy of Modernism became the basis of new forms of spectatorship and cinematic pleasure.

The first collection of Annette Michelson's influential writings on film, with essays on work by Marcel Duchamp, Maya Deren, Hollis Frampton, Martha Rosler, and others.

The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years' worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with the movement known as American Independent Cinema.

This volume includes the first critical essay on Marcel Duchamp's film Anemic Cinema, the first investigation into Joseph Cornell's filmic practices, and the first major explorations of Michael Snow. It offers an important essay on Maya Deren, whose work was central to that era of renewal and reinvention, seminal critiques of Stan Brakhage, Hollis Frampton, and Harry Smith, and overviews of Independent Cinema. Gathered here for the first time, these texts demonstrate Michelson's pervasive influence as a writer and thinker and her role in the establishment of cinema studies as an academic field.

The postwar generation of Independents worked to develop radically new terms, techniques, and strategies of production and distribution. Michelson shows that the fresh new forms they created from the legacy of Modernism became the basis of new forms of spectatorship and cinematic pleasure.

Über den Autor
Annette Michelson (1922–2018) was widely considered one of the twentieth century's most influential writers on film. During her more than five-decade career, she was an art editor and critic for the New York Herald Tribune, a writer for Artforum, a founding editor of the journal October, and Professor in the Department of Cinema Studies at New York University. Some of Michelson's essays on film were collected in On the Eve of the Future: Selected Writings on Film (MIT Press).
Details
Empfohlen (von): 18
Erscheinungsjahr: 2017
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Medium: Buch
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9780262035507
ISBN-10: 0262035502
Sprache: Englisch
Einband: Gebunden
Autor: Michelson, Annette
Redaktion: Baker, George
Bois, Yve-Alain
Hersteller: MIT Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 236 x 182 x 27 mm
Von/Mit: Annette Michelson
Erscheinungsdatum: 10.02.2017
Gewicht: 0,926 kg
Artikel-ID: 103340844
Über den Autor
Annette Michelson (1922–2018) was widely considered one of the twentieth century's most influential writers on film. During her more than five-decade career, she was an art editor and critic for the New York Herald Tribune, a writer for Artforum, a founding editor of the journal October, and Professor in the Department of Cinema Studies at New York University. Some of Michelson's essays on film were collected in On the Eve of the Future: Selected Writings on Film (MIT Press).
Details
Empfohlen (von): 18
Erscheinungsjahr: 2017
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Medium: Buch
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9780262035507
ISBN-10: 0262035502
Sprache: Englisch
Einband: Gebunden
Autor: Michelson, Annette
Redaktion: Baker, George
Bois, Yve-Alain
Hersteller: MIT Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 236 x 182 x 27 mm
Von/Mit: Annette Michelson
Erscheinungsdatum: 10.02.2017
Gewicht: 0,926 kg
Artikel-ID: 103340844
Sicherheitshinweis

Ähnliche Produkte

Ähnliche Produkte