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Cover: 9780226174594 | Off-Screen Cinema | Isidore Isou and the Lettrist Avant-Garde | Buch
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Off-Screen Cinema
Isidore Isou and the Lettrist Avant-Garde
Taschenbuch von Kaira M. Cabanas
Sprache: Englisch

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Beschreibung
The first history in English of Paris s most important avant-garde movement to emerge after WWII: Lettrism. The Lettrists were genuine characters consumed by the relationships between word and image, between literature and performance. They were a bridge between Dada and Surrealism earlier in the century and Conceptual art in the 1960s. The Lettrists invented new strategies for creating "films": for example, linking and unlinking speech and sound, sound and image, and screen and space to produce what they called direct cinema. Gil J. Wolman used a weather balloon instead of a flat screen for projection. Maurice Lemaitre (a feisty old codger still active) expanded the screen to include spectators bodies, a device taken up again in The Rocky Horror Picture Show. Francois Dufrene abandoned the filmstrip, creating a film made entirely of live sound. In this way, the Lettrists set the stage for Situationism and for the French New Wave in film (Godard, Resnais) and the French new novel (Robbe-Grillet). To a degree, the book also examines the movement s overlapping successor, Situationism, led by Guy Debord."
The first history in English of Paris s most important avant-garde movement to emerge after WWII: Lettrism. The Lettrists were genuine characters consumed by the relationships between word and image, between literature and performance. They were a bridge between Dada and Surrealism earlier in the century and Conceptual art in the 1960s. The Lettrists invented new strategies for creating "films": for example, linking and unlinking speech and sound, sound and image, and screen and space to produce what they called direct cinema. Gil J. Wolman used a weather balloon instead of a flat screen for projection. Maurice Lemaitre (a feisty old codger still active) expanded the screen to include spectators bodies, a device taken up again in The Rocky Horror Picture Show. Francois Dufrene abandoned the filmstrip, creating a film made entirely of live sound. In this way, the Lettrists set the stage for Situationism and for the French New Wave in film (Godard, Resnais) and the French new novel (Robbe-Grillet). To a degree, the book also examines the movement s overlapping successor, Situationism, led by Guy Debord."
Über den Autor
Kaira M. Cabañas is an art historian and visiting professor in the Departamento de Letras at Pontifical Catholic University of Rio de Janeiro, as well as the author of The Myth of Nouveau Réalisme: Art and the Performative in Postwar France.
Details
Erscheinungsjahr: 2015
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780226174594
ISBN-10: 022617459X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Cabanas, Kaira M.
Hersteller: The University of Chicago Press
Maße: 256 x 179 x 11 mm
Von/Mit: Kaira M. Cabanas
Erscheinungsdatum: 21.01.2015
Gewicht: 0,48 kg
Artikel-ID: 129611339
Über den Autor
Kaira M. Cabañas is an art historian and visiting professor in the Departamento de Letras at Pontifical Catholic University of Rio de Janeiro, as well as the author of The Myth of Nouveau Réalisme: Art and the Performative in Postwar France.
Details
Erscheinungsjahr: 2015
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780226174594
ISBN-10: 022617459X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Cabanas, Kaira M.
Hersteller: The University of Chicago Press
Maße: 256 x 179 x 11 mm
Von/Mit: Kaira M. Cabanas
Erscheinungsdatum: 21.01.2015
Gewicht: 0,48 kg
Artikel-ID: 129611339
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