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Nothing but Noise: Timbre and Musical Meaning at the Edge explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, author Zachary Wallmark advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception
Nothing but Noise: Timbre and Musical Meaning at the Edge explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, author Zachary Wallmark advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception
Über den Autor
Zachary Wallmark teaches musicology and music cognition at the University of Oregon. His interdisciplinary research on timbre and popular music has been supported by the NEH and the GRAMMY Museum Foundation. He is coeditor (with Robert Fink and Melinda Latour) of The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford, 2018).
Inhaltsverzeichnis
- Introduction
- The Meaning of Timbre
- I. Fundamental
- Chapter 1: Body and Emotion in the Sonic Act
- Chapter 2: Conceptualizing Timbre: From Material to Metaphor
- II. Spectrum
- Chapter 3: The Most Powerful Human Sound Ever Created: Theorizing the Saxophonic Scream in Free Jazz
- Chapter 4: Sound and Embodiment in the Japanese Shakuhachi
- Chapter 5: Vector of Brutality: Madness, Violence, and Contagion in Heavy Metal Reception
- III. Resonance
- Chapter 6: The Aural Face
- Notes
- Bibliography
- Index
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musiktheorie & Musiklehre |
Medium: | Buch |
Inhalt: | Buch Gebunden |
ISBN-13: | 9780190495107 |
ISBN-10: | 0190495103 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Wallmark, Zachary |
Komponist: | Zachary Wallmark |
Hersteller: | Oxford University Press Inc |
Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
Maße: | 164 x 242 x 22 mm |
Von/Mit: | Zachary Wallmark |
Erscheinungsdatum: | 27.05.2022 |
Gewicht: | 0,46 kg |
Über den Autor
Zachary Wallmark teaches musicology and music cognition at the University of Oregon. His interdisciplinary research on timbre and popular music has been supported by the NEH and the GRAMMY Museum Foundation. He is coeditor (with Robert Fink and Melinda Latour) of The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford, 2018).
Inhaltsverzeichnis
- Introduction
- The Meaning of Timbre
- I. Fundamental
- Chapter 1: Body and Emotion in the Sonic Act
- Chapter 2: Conceptualizing Timbre: From Material to Metaphor
- II. Spectrum
- Chapter 3: The Most Powerful Human Sound Ever Created: Theorizing the Saxophonic Scream in Free Jazz
- Chapter 4: Sound and Embodiment in the Japanese Shakuhachi
- Chapter 5: Vector of Brutality: Madness, Violence, and Contagion in Heavy Metal Reception
- III. Resonance
- Chapter 6: The Aural Face
- Notes
- Bibliography
- Index
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musiktheorie & Musiklehre |
Medium: | Buch |
Inhalt: | Buch Gebunden |
ISBN-13: | 9780190495107 |
ISBN-10: | 0190495103 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Wallmark, Zachary |
Komponist: | Zachary Wallmark |
Hersteller: | Oxford University Press Inc |
Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
Maße: | 164 x 242 x 22 mm |
Von/Mit: | Zachary Wallmark |
Erscheinungsdatum: | 27.05.2022 |
Gewicht: | 0,46 kg |
Sicherheitshinweis