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Dostoevsky's most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man's essentially irrational nature.
Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.
Dostoevsky's most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man's essentially irrational nature.
Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.
His prison experiences coupled with his conversion to a profoundly religious philosophy formed the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoevsky the emotional stability to complete Crime and Punishment (1866), The Idiot (1868-69), The Possessed (1871-72), and The Brothers Karamazov (1879-80). When Dostoevsky died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world and immortalized him as a giant among writers of world literature.
Erscheinungsjahr: | 2004 |
---|---|
Genre: | Importe, Romane & Erzählungen |
Rubrik: | Belletristik |
Medium: | Buch |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9781400041916 |
ISBN-10: | 1400041910 |
Sprache: | Englisch |
Originalsprache: | Russisch |
Einband: | Gebunden |
Autor: | Dostoyevsky, Fyodor |
Übersetzung: |
Pevear, Richard
Volokhonsky, Larissa |
Hersteller: | Knopf Doubleday Publishing Group |
Maße: | 219 x 128 x 14 mm |
Von/Mit: | Fyodor Dostoyevsky |
Erscheinungsdatum: | 23.03.2004 |
Gewicht: | 0,277 kg |
His prison experiences coupled with his conversion to a profoundly religious philosophy formed the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoevsky the emotional stability to complete Crime and Punishment (1866), The Idiot (1868-69), The Possessed (1871-72), and The Brothers Karamazov (1879-80). When Dostoevsky died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world and immortalized him as a giant among writers of world literature.
Erscheinungsjahr: | 2004 |
---|---|
Genre: | Importe, Romane & Erzählungen |
Rubrik: | Belletristik |
Medium: | Buch |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9781400041916 |
ISBN-10: | 1400041910 |
Sprache: | Englisch |
Originalsprache: | Russisch |
Einband: | Gebunden |
Autor: | Dostoyevsky, Fyodor |
Übersetzung: |
Pevear, Richard
Volokhonsky, Larissa |
Hersteller: | Knopf Doubleday Publishing Group |
Maße: | 219 x 128 x 14 mm |
Von/Mit: | Fyodor Dostoyevsky |
Erscheinungsdatum: | 23.03.2004 |
Gewicht: | 0,277 kg |