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Literary Nonfiction. NILLING: PROSE is a sequence of five loosely linked prose essays about noise, pornography, the codex, melancholy, Lucretius, folds, cities and related aporias: in short, these are essays on reading.
I have tried to make a sketch or a model in several dimensions of the potency of Arendt's idea of invisibility, the necessary inconspicuousness of thinking and reading, and the ambivalently joyous and knotted agency to be found there. Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don't exist. That is, they appear in the text's absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading's supple snare, I feel love.
I have tried to make a sketch or a model in several dimensions of the potency of Arendt's idea of invisibility, the necessary inconspicuousness of thinking and reading, and the ambivalently joyous and knotted agency to be found there. Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don't exist. That is, they appear in the text's absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading's supple snare, I feel love.
Literary Nonfiction. NILLING: PROSE is a sequence of five loosely linked prose essays about noise, pornography, the codex, melancholy, Lucretius, folds, cities and related aporias: in short, these are essays on reading.
I have tried to make a sketch or a model in several dimensions of the potency of Arendt's idea of invisibility, the necessary inconspicuousness of thinking and reading, and the ambivalently joyous and knotted agency to be found there. Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don't exist. That is, they appear in the text's absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading's supple snare, I feel love.
I have tried to make a sketch or a model in several dimensions of the potency of Arendt's idea of invisibility, the necessary inconspicuousness of thinking and reading, and the ambivalently joyous and knotted agency to be found there. Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don't exist. That is, they appear in the text's absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading's supple snare, I feel love.
Über den Autor
Lisa Robertson lives in the Vienne region of France. Her most recent books of poetry are Lisa Robertson's Magenta Soul Whip, which was selected by the New York Times as one of the 100 best books of 2010, and R's Boat, shortlisted for The Believer's 2011 Poetry award. In 2006, Bookthug published The Men: a Lyric Book.
Details
Erscheinungsjahr: | 2012 |
---|---|
Genre: | Allgemeine Lexika |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
Seiten: | 96 |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781897388891 |
ISBN-10: | 1897388896 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Robertson, Lisa |
Hersteller: | Book*hug Press |
Maße: | 228 x 151 x 10 mm |
Von/Mit: | Lisa Robertson |
Erscheinungsdatum: | 31.03.2012 |
Gewicht: | 0,144 kg |
Über den Autor
Lisa Robertson lives in the Vienne region of France. Her most recent books of poetry are Lisa Robertson's Magenta Soul Whip, which was selected by the New York Times as one of the 100 best books of 2010, and R's Boat, shortlisted for The Believer's 2011 Poetry award. In 2006, Bookthug published The Men: a Lyric Book.
Details
Erscheinungsjahr: | 2012 |
---|---|
Genre: | Allgemeine Lexika |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
Seiten: | 96 |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781897388891 |
ISBN-10: | 1897388896 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Robertson, Lisa |
Hersteller: | Book*hug Press |
Maße: | 228 x 151 x 10 mm |
Von/Mit: | Lisa Robertson |
Erscheinungsdatum: | 31.03.2012 |
Gewicht: | 0,144 kg |
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