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Thomas Love Peacock is literature's perfect individualist.
He has points in common with Aristophanes, Plato, Rabelais, Voltaire, and even Aldous Huxley, but resembles none of them; we can talk of the satirical novel of ideas, but his satire is too cheery and good-natured, his novel too rambling, and his ideas too jovially destructive for the label to stick.
A romantic in his youth and a friend of Shelley, he happily made hay of the romantic movement in Nightmare Abbey, clamping Coleridge, Byron, and Shelley himself in a kind of painless pillory. And in Crotchet Castle he did no less for the political economists, pitting his gifts of exaggeration and ridicule against scientific progress and March of Mind. Yet the romantic in him never died: the long, witty, and indecisive talk of his characters is set in wild, natural scenery which Peacock describes with true feeling.
He has points in common with Aristophanes, Plato, Rabelais, Voltaire, and even Aldous Huxley, but resembles none of them; we can talk of the satirical novel of ideas, but his satire is too cheery and good-natured, his novel too rambling, and his ideas too jovially destructive for the label to stick.
A romantic in his youth and a friend of Shelley, he happily made hay of the romantic movement in Nightmare Abbey, clamping Coleridge, Byron, and Shelley himself in a kind of painless pillory. And in Crotchet Castle he did no less for the political economists, pitting his gifts of exaggeration and ridicule against scientific progress and March of Mind. Yet the romantic in him never died: the long, witty, and indecisive talk of his characters is set in wild, natural scenery which Peacock describes with true feeling.
Thomas Love Peacock is literature's perfect individualist.
He has points in common with Aristophanes, Plato, Rabelais, Voltaire, and even Aldous Huxley, but resembles none of them; we can talk of the satirical novel of ideas, but his satire is too cheery and good-natured, his novel too rambling, and his ideas too jovially destructive for the label to stick.
A romantic in his youth and a friend of Shelley, he happily made hay of the romantic movement in Nightmare Abbey, clamping Coleridge, Byron, and Shelley himself in a kind of painless pillory. And in Crotchet Castle he did no less for the political economists, pitting his gifts of exaggeration and ridicule against scientific progress and March of Mind. Yet the romantic in him never died: the long, witty, and indecisive talk of his characters is set in wild, natural scenery which Peacock describes with true feeling.
He has points in common with Aristophanes, Plato, Rabelais, Voltaire, and even Aldous Huxley, but resembles none of them; we can talk of the satirical novel of ideas, but his satire is too cheery and good-natured, his novel too rambling, and his ideas too jovially destructive for the label to stick.
A romantic in his youth and a friend of Shelley, he happily made hay of the romantic movement in Nightmare Abbey, clamping Coleridge, Byron, and Shelley himself in a kind of painless pillory. And in Crotchet Castle he did no less for the political economists, pitting his gifts of exaggeration and ridicule against scientific progress and March of Mind. Yet the romantic in him never died: the long, witty, and indecisive talk of his characters is set in wild, natural scenery which Peacock describes with true feeling.
Über den Autor
Thomas Love Peacock (1785-1866) was a poet and author. He was a prolific writer, mainly of satirical works, and many critics believe that he and Percy Bysshe Shelley influenced one another's works, since they were close friends. Peacock's father died in reduced circumstances, so the young Thomas was largely self-educated, and spent much time in the Reading Room at the British Library studying the best classical texts he could find. Whilst much of his poetry and essays were very well-thought of, Peacock is best known today for his novels Nightmare Abbey and Melincourt.
Details
Erscheinungsjahr: | 1982 |
---|---|
Genre: | Importe, Romane & Erzählungen |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780140430455 |
ISBN-10: | 0140430458 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Peacock, Thomas Love |
Redaktion: | Wright, Raymond |
Hersteller: | Penguin Adult Hc/Tr |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 197 x 129 x 16 mm |
Von/Mit: | Thomas Love Peacock |
Erscheinungsdatum: | 28.01.1982 |
Gewicht: | 0,31 kg |
Über den Autor
Thomas Love Peacock (1785-1866) was a poet and author. He was a prolific writer, mainly of satirical works, and many critics believe that he and Percy Bysshe Shelley influenced one another's works, since they were close friends. Peacock's father died in reduced circumstances, so the young Thomas was largely self-educated, and spent much time in the Reading Room at the British Library studying the best classical texts he could find. Whilst much of his poetry and essays were very well-thought of, Peacock is best known today for his novels Nightmare Abbey and Melincourt.
Details
Erscheinungsjahr: | 1982 |
---|---|
Genre: | Importe, Romane & Erzählungen |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780140430455 |
ISBN-10: | 0140430458 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Peacock, Thomas Love |
Redaktion: | Wright, Raymond |
Hersteller: | Penguin Adult Hc/Tr |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 197 x 129 x 16 mm |
Von/Mit: | Thomas Love Peacock |
Erscheinungsdatum: | 28.01.1982 |
Gewicht: | 0,31 kg |
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