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Nietzsche, Wagner, Europe
Taschenbuch von Martine Prange
Sprache: Englisch

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Beschreibung
Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the ¿nationalist nonsense¿ and ¿politics of dissolution¿ of his day, he advocated the birth of ¿good Europeans,¿ i.e. ¿supra-national¿ individuals and the ¿amalgamation of nations.¿
Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche¿s ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe¿s economic-political union. The book claims that Nietzsche always propagated the ¿aestheticization¿ of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche¿s passion for and later aversion to Wagner¿s music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of ¿Dionysian¿ music and of Goethe as a model of ¿Good Europeanism.¿
Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the ¿nationalist nonsense¿ and ¿politics of dissolution¿ of his day, he advocated the birth of ¿good Europeans,¿ i.e. ¿supra-national¿ individuals and the ¿amalgamation of nations.¿
Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche¿s ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe¿s economic-political union. The book claims that Nietzsche always propagated the ¿aestheticization¿ of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche¿s passion for and later aversion to Wagner¿s music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of ¿Dionysian¿ music and of Goethe as a model of ¿Good Europeanism.¿
Über den Autor
Martine Prange, Leiden University, Netherlands.
Details
Erscheinungsjahr: 2016
Genre: Philosophie
Jahrhundert: 19. Jh.
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Reihe: ISSN
Inhalt: IX
286 S.
ISBN-13: 9783110481631
ISBN-10: 3110481634
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Prange, Martine
Hersteller: De Gruyter
de Gruyter, Walter, GmbH
ISSN
Maße: 240 x 170 x 17 mm
Von/Mit: Martine Prange
Erscheinungsdatum: 20.06.2016
Gewicht: 0,507 kg
Artikel-ID: 103959049
Über den Autor
Martine Prange, Leiden University, Netherlands.
Details
Erscheinungsjahr: 2016
Genre: Philosophie
Jahrhundert: 19. Jh.
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Reihe: ISSN
Inhalt: IX
286 S.
ISBN-13: 9783110481631
ISBN-10: 3110481634
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Prange, Martine
Hersteller: De Gruyter
de Gruyter, Walter, GmbH
ISSN
Maße: 240 x 170 x 17 mm
Von/Mit: Martine Prange
Erscheinungsdatum: 20.06.2016
Gewicht: 0,507 kg
Artikel-ID: 103959049
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