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New Queer Cinema: The Director's Cut
Taschenbuch von B. Ruby Rich
Sprache: Englisch

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Beschreibung
B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists.
As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movement from its origins in the mid-1980s all the way to the present in essays and articles directed at a range of audiences, from readers of academic journals to popular glossies and weekly newspapers. She presents her insights into such NQC pioneers as Derek Jarman and Isaac Julien and investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk. In addition to exploring less-known films and international cinemas (including Latin American and French films and videos), she documents the more recent incarnations of the NQC on screen, on the web, and in art galleries.
B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists.
As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movement from its origins in the mid-1980s all the way to the present in essays and articles directed at a range of audiences, from readers of academic journals to popular glossies and weekly newspapers. She presents her insights into such NQC pioneers as Derek Jarman and Isaac Julien and investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk. In addition to exploring less-known films and international cinemas (including Latin American and French films and videos), she documents the more recent incarnations of the NQC on screen, on the web, and in art galleries.
Über den Autor
B. Ruby Rich
Inhaltsverzeichnis
Acknowledgments xi

Introduction xv

Part I. Origins, Festivals, Audiences

1. Before the Beginning: Lineages and Preconceptions 3

2. The New Queer Cinema: Director's Cut 16

3. Collision, Catastrophe, Celebration: The Relationship between Gay and Lesbian Film Festivals and Their Publics 33

4. What's a Good Gay Film? 40

Part II. Bulletins From the Front

5. The King of Queer: Derek Jarman 49

6. True Stories of Forbidden Love 53

7. Goings and Comings, the Go Fish Way 58

8. Historical Fictions, Modern Desires: The Watermelon Woman 66

9. Channeling Domestic Violence: In the Den with Todd Haynes and Christine Vachon 72

10. The I.K.U. Experience: The Shu-Lea Cheang Phenomenon 76

11. Jonathan Caouette: What in Tarnation? 81

12. Apichatpong Weerasethakul's Tropical Maladies 88

13. Beyond Doom: Gregg Araki's Mysterious Films 92

14. A Walk in the Clouds: Julián Hernández 96

Part III. Genre Meets Gender

15. Lethal Lesbians: The Cinematic Inscription of Murderous Desire 103

16. Queering the Biopic Documentary 123

17. A Queer and Present Danger: The Death of New Queer Cinema? 130

Part IV. Queering a New Latin American Cinema

18. Preface to a History 141

19. Refashioning Mexican Screen Sexuality: Ripstein, Hermosillo, Leduc 145

20. Gay and Lesbian Traces 151

21. Mexico in the Forties: Reclaiming a Gender Pioneer 156

22. Revolution, Sexuality, and the Paradox of Queer Film in Cuba 159

23. Queering the Social Landscape 167

Part V. Expansions and Reversals

24. Ang Lee's Lonesome Cowboys 185

25. Itty Bitty Titty Committee: Free Radicals and the Feminist Carnivalesque 202

26. Queer Nouveau: From Morality Tales to Mortality Tales in Ozon, Téchiné, Collard 214

27. Got Milk? Gus Van Sant's Encounter with History 236

Conclusion 261

Filmography 285

Bibliography 297

Credits 307

Index 309
Details
Erscheinungsjahr: 2013
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 360
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780822354284
ISBN-10: 0822354284
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rich, B. Ruby
Hersteller: Duke University Press
Maße: 229 x 152 x 20 mm
Von/Mit: B. Ruby Rich
Erscheinungsdatum: 26.03.2013
Gewicht: 0,513 kg
preigu-id: 106195833
Über den Autor
B. Ruby Rich
Inhaltsverzeichnis
Acknowledgments xi

Introduction xv

Part I. Origins, Festivals, Audiences

1. Before the Beginning: Lineages and Preconceptions 3

2. The New Queer Cinema: Director's Cut 16

3. Collision, Catastrophe, Celebration: The Relationship between Gay and Lesbian Film Festivals and Their Publics 33

4. What's a Good Gay Film? 40

Part II. Bulletins From the Front

5. The King of Queer: Derek Jarman 49

6. True Stories of Forbidden Love 53

7. Goings and Comings, the Go Fish Way 58

8. Historical Fictions, Modern Desires: The Watermelon Woman 66

9. Channeling Domestic Violence: In the Den with Todd Haynes and Christine Vachon 72

10. The I.K.U. Experience: The Shu-Lea Cheang Phenomenon 76

11. Jonathan Caouette: What in Tarnation? 81

12. Apichatpong Weerasethakul's Tropical Maladies 88

13. Beyond Doom: Gregg Araki's Mysterious Films 92

14. A Walk in the Clouds: Julián Hernández 96

Part III. Genre Meets Gender

15. Lethal Lesbians: The Cinematic Inscription of Murderous Desire 103

16. Queering the Biopic Documentary 123

17. A Queer and Present Danger: The Death of New Queer Cinema? 130

Part IV. Queering a New Latin American Cinema

18. Preface to a History 141

19. Refashioning Mexican Screen Sexuality: Ripstein, Hermosillo, Leduc 145

20. Gay and Lesbian Traces 151

21. Mexico in the Forties: Reclaiming a Gender Pioneer 156

22. Revolution, Sexuality, and the Paradox of Queer Film in Cuba 159

23. Queering the Social Landscape 167

Part V. Expansions and Reversals

24. Ang Lee's Lonesome Cowboys 185

25. Itty Bitty Titty Committee: Free Radicals and the Feminist Carnivalesque 202

26. Queer Nouveau: From Morality Tales to Mortality Tales in Ozon, Téchiné, Collard 214

27. Got Milk? Gus Van Sant's Encounter with History 236

Conclusion 261

Filmography 285

Bibliography 297

Credits 307

Index 309
Details
Erscheinungsjahr: 2013
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 360
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780822354284
ISBN-10: 0822354284
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rich, B. Ruby
Hersteller: Duke University Press
Maße: 229 x 152 x 20 mm
Von/Mit: B. Ruby Rich
Erscheinungsdatum: 26.03.2013
Gewicht: 0,513 kg
preigu-id: 106195833
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