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New Chinese Cinemas
Forms, Identities, Politics
Taschenbuch von Esther Yau
Sprache: Englisch

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Beschreibung
Analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution.
Analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution.
Inhaltsverzeichnis
List of illustrations; List of contributors; Acknowledgments; Note on the Romanisation of Chinese; Introduction Nick Browne; Part I. Film in the People's Republic: 1. Spatiality and subjectivity in Xie Jin's film melodrama of the new period Ma Ning; 2. Society and subjectivity: on the political economy of Chinese melodrama Nick Browne; 3. Huang Jianxin and the notion of post-socialism Paul G. Pickowicz; 4. Neither one thing nor another? Towards a study of the viewing subject and Chinese cinema in the 1980s Chris Berry; Part II. Film in Taiwan and Hong Kong: 5. Remapping Taipei Fredric Jameson; 6. The Ideology of initiation: the films of Hou Hsiao-hsien William Tay; 7. The return of the father: Hong Kong new wave and its Chinese context in the 1980s Li Cheuk-To; 8. Border crossing: mainland China's presence in Hong Kong cinema Esther Yau; 9. Two films from Hong Kong: parody and allegory Leo Ou-Fan Lee.
Details
Erscheinungsjahr: 2003
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 276
ISBN-13: 9780521448772
ISBN-10: 0521448778
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Yau, Esther
Hersteller: Cambridge University Press
Maße: 229 x 152 x 16 mm
Von/Mit: Esther Yau
Erscheinungsdatum: 14.04.2003
Gewicht: 0,452 kg
preigu-id: 101144732
Inhaltsverzeichnis
List of illustrations; List of contributors; Acknowledgments; Note on the Romanisation of Chinese; Introduction Nick Browne; Part I. Film in the People's Republic: 1. Spatiality and subjectivity in Xie Jin's film melodrama of the new period Ma Ning; 2. Society and subjectivity: on the political economy of Chinese melodrama Nick Browne; 3. Huang Jianxin and the notion of post-socialism Paul G. Pickowicz; 4. Neither one thing nor another? Towards a study of the viewing subject and Chinese cinema in the 1980s Chris Berry; Part II. Film in Taiwan and Hong Kong: 5. Remapping Taipei Fredric Jameson; 6. The Ideology of initiation: the films of Hou Hsiao-hsien William Tay; 7. The return of the father: Hong Kong new wave and its Chinese context in the 1980s Li Cheuk-To; 8. Border crossing: mainland China's presence in Hong Kong cinema Esther Yau; 9. Two films from Hong Kong: parody and allegory Leo Ou-Fan Lee.
Details
Erscheinungsjahr: 2003
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 276
ISBN-13: 9780521448772
ISBN-10: 0521448778
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Yau, Esther
Hersteller: Cambridge University Press
Maße: 229 x 152 x 16 mm
Von/Mit: Esther Yau
Erscheinungsdatum: 14.04.2003
Gewicht: 0,452 kg
preigu-id: 101144732
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