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Neolithic Childhood
Art in a False Present, c. 1930
Buch von Anselm Franke
Sprache: Englisch

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Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art's social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality-not only of art.



The publication accompanying the examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an "Ethnology of the White Man" together with the excavation of the deep time of humanity-into the "Neolithic Childhood" mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein's own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.



With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian Zeidler.



With reproductions of artworks by:

Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindrich Štyrský, Raoul Ubac, Paule Vézelay and many others.

Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art's social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality-not only of art.



The publication accompanying the examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an "Ethnology of the White Man" together with the excavation of the deep time of humanity-into the "Neolithic Childhood" mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein's own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.



With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian Zeidler.



With reproductions of artworks by:

Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindrich Štyrský, Raoul Ubac, Paule Vézelay and many others.

Details
Erscheinungsjahr: 2018
Fachbereich: Geisteswissenschaften allgemein
Rubrik: Geisteswissenschaften
Medium: Buch
Seiten: 464
Inhalt: 464 S.
ISBN-13: 9783035801064
ISBN-10: 3035801061
Sprache: Englisch
Einband: Gebunden
Autor: Franke, Anselm
Holert, Tom
Redaktion: Franke, Anselm
Holert, Tom
Herausgeber: Anselm Franke/Tom Holert
Besonderheit: Unsere Aufsteiger
diaphanes verlag: diaphanes verlag
Maße: 276 x 180 x 38 mm
Von/Mit: Anselm Franke
Erscheinungsdatum: 28.06.2018
Gewicht: 1,475 kg
preigu-id: 113684203
Details
Erscheinungsjahr: 2018
Fachbereich: Geisteswissenschaften allgemein
Rubrik: Geisteswissenschaften
Medium: Buch
Seiten: 464
Inhalt: 464 S.
ISBN-13: 9783035801064
ISBN-10: 3035801061
Sprache: Englisch
Einband: Gebunden
Autor: Franke, Anselm
Holert, Tom
Redaktion: Franke, Anselm
Holert, Tom
Herausgeber: Anselm Franke/Tom Holert
Besonderheit: Unsere Aufsteiger
diaphanes verlag: diaphanes verlag
Maße: 276 x 180 x 38 mm
Von/Mit: Anselm Franke
Erscheinungsdatum: 28.06.2018
Gewicht: 1,475 kg
preigu-id: 113684203
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