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Nana, daughter of a drunk and a laundress, is the Helen of Troy of Paris. A sexually magnetic high-class prostitute and actress, she becomes a celebrity, rapidly conquering society, ruining all men who fall under her spell-especially Count Muffat, Chamberlain to the Empress. Nana herself meets a terrible fate, consumed by her own dissipation and extravagance, just as the disastrous war with Prussia is declared.
Nana is the ninth instalment in the twenty volume Rougon-Macquart series. The novel opens in 1867, the year of the World Fair, when Paris, thronged by a cosmopolitan élite, was la Ville Lumière, the glittering setting-and object-of Zola's scathing denunciation of society's hypocrisy and moral corruption. Nana comes to symbolize the Second Empire regime itself in all its excesses; but in the final chapters, the narrator seems to suggest that the coming disaster is not so much a result of the corruption of the Empire, as of rampant female sexuality.
Nana, daughter of a drunk and a laundress, is the Helen of Troy of Paris. A sexually magnetic high-class prostitute and actress, she becomes a celebrity, rapidly conquering society, ruining all men who fall under her spell-especially Count Muffat, Chamberlain to the Empress. Nana herself meets a terrible fate, consumed by her own dissipation and extravagance, just as the disastrous war with Prussia is declared.
Nana is the ninth instalment in the twenty volume Rougon-Macquart series. The novel opens in 1867, the year of the World Fair, when Paris, thronged by a cosmopolitan élite, was la Ville Lumière, the glittering setting-and object-of Zola's scathing denunciation of society's hypocrisy and moral corruption. Nana comes to symbolize the Second Empire regime itself in all its excesses; but in the final chapters, the narrator seems to suggest that the coming disaster is not so much a result of the corruption of the Empire, as of rampant female sexuality.
She formerly co-edited the magazine Modern Poetry in Translation with her husband, the writer David Constantine.
Brian Nelson is Emeritus Professor (French Studies and Translation Studies) at Monash University, Melbourne, and a Fellow of the Australian Academy of the Humanities. His publications include The Cambridge Introduction to French Literature, The Cambridge Companion to Zola, Zola and the Bourgeoisie, and translations of Zola's His Excellency Eugène Rougon, Earth (with Julie Rose), The Fortune of the Rougons, The Belly of Paris, The Kill, Pot Luck and The Ladies' Paradise for the Oxford World's Classics. He has also translated Swann in Love by Marcel Proust for the series. He was awarded the New South Wales Premier's Prize for Translation in 2015.
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Importe, Romane & Erzählungen |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| Reihe: | Oxford World's Classics |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780198814269 |
| ISBN-10: | 0198814267 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Zola, Emile |
| Redaktion: | Nelson, Brian |
| Übersetzung: | Constantine, Helen |
| Auflage: | 2 Revised edition |
| Hersteller: |
Oxford University Press
Oxford World's Classics |
| Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
| Maße: | 191 x 127 x 25 mm |
| Von/Mit: | Emile Zola |
| Erscheinungsdatum: | 26.03.2020 |
| Gewicht: | 0,289 kg |
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