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Musorgsky
Eight Essays and an Epilogue
Taschenbuch von Richard Taruskin
Sprache: Englisch

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Beschreibung
"It is [a] fully illuminated story that Richard Taruskin, in the path-breaking essays collected here, unfolds around Modest Musorgsky, Russia's greatest national composer. . . . [Taruskin's] tour de force comes with a frontal attack on all the Soviet-bred truisms that for a century have refashioned Musorgsky from what the evidence suggests he was-an aristocrat with an early clinical interest in true-to-life musical portraiture and a later penchant for drinking partners who were both folklore buffs and political reactionaries democrat."-from the foreword

Incorporating both new and now-classic essays, this book for the first time sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective, Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers the most complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Chaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.
"It is [a] fully illuminated story that Richard Taruskin, in the path-breaking essays collected here, unfolds around Modest Musorgsky, Russia's greatest national composer. . . . [Taruskin's] tour de force comes with a frontal attack on all the Soviet-bred truisms that for a century have refashioned Musorgsky from what the evidence suggests he was-an aristocrat with an early clinical interest in true-to-life musical portraiture and a later penchant for drinking partners who were both folklore buffs and political reactionaries democrat."-from the foreword

Incorporating both new and now-classic essays, this book for the first time sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective, Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers the most complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Chaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.
Über den Autor
Richard Taruskin (1945-2022) was professor emeritus of music at the University of California, Berkeley, and a regular contributor to the New Republic, the New York Times, the New York Review of Books, and Opera News. His books include Defining Russia Musically (Princeton), Opera and Drama in Russia, and Stravinsky and the Russian Traditions.
Details
Erscheinungsjahr: 1997
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 452
ISBN-13: 9780691016238
ISBN-10: 0691016232
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Taruskin, Richard
Hersteller: Princeton University Press
Maße: 229 x 152 x 26 mm
Von/Mit: Richard Taruskin
Erscheinungsdatum: 27.07.1997
Gewicht: 0,729 kg
preigu-id: 107493430
Über den Autor
Richard Taruskin (1945-2022) was professor emeritus of music at the University of California, Berkeley, and a regular contributor to the New Republic, the New York Times, the New York Review of Books, and Opera News. His books include Defining Russia Musically (Princeton), Opera and Drama in Russia, and Stravinsky and the Russian Traditions.
Details
Erscheinungsjahr: 1997
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 452
ISBN-13: 9780691016238
ISBN-10: 0691016232
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Taruskin, Richard
Hersteller: Princeton University Press
Maße: 229 x 152 x 26 mm
Von/Mit: Richard Taruskin
Erscheinungsdatum: 27.07.1997
Gewicht: 0,729 kg
preigu-id: 107493430
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