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Musician as Entrepreneur, 1700-1914

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Beschreibung

Preface

I. Overview of the Subject

1. William Weber, "The Musician as Entrepreneur and Opportunist, 1700-1914"

2. Richard Leppert, "The Musician of the Imagination"

II. Early Musical Entrepreneurs

3. Tanya Kevorkian, "Changing Times, Changing Music: 'New Church' Music and Musicians in Leipzig, 1700-1750"

4. David Gramit, "Selling the Serious: The Commodification of Music and Resistance to it in Germany, c. 1800"

III. Concert Management in the Nineteenth Century

5. William Weber, "From the Self-Managing Musician to the Independent Concert Agent"

6. Laure Schnapper, "Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849"

7. Dana Gooley, "Franz Liszt: The Virtuoso as Strategist"

8. Simon McVeigh, "'An Audience for High-Class Music': The Musician as Entrepreneur in late Nineteenth-Century London"

IV. Women as Entrepreneurs

9. Tia DeNora, "Embodiment and Opportunity: Bodily Capital, Reputation and Social Difference in Beethoven's Vienna Partnership"

10. Paula Gillett, "Entrepreneurial Women Musicians in Britain: 1790s to the early 1900s"

11. Jann Pasler, "Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation"

Index

Contributors

Preface

I. Overview of the Subject

1. William Weber, "The Musician as Entrepreneur and Opportunist, 1700-1914"

2. Richard Leppert, "The Musician of the Imagination"

II. Early Musical Entrepreneurs

3. Tanya Kevorkian, "Changing Times, Changing Music: 'New Church' Music and Musicians in Leipzig, 1700-1750"

4. David Gramit, "Selling the Serious: The Commodification of Music and Resistance to it in Germany, c. 1800"

III. Concert Management in the Nineteenth Century

5. William Weber, "From the Self-Managing Musician to the Independent Concert Agent"

6. Laure Schnapper, "Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849"

7. Dana Gooley, "Franz Liszt: The Virtuoso as Strategist"

8. Simon McVeigh, "'An Audience for High-Class Music': The Musician as Entrepreneur in late Nineteenth-Century London"

IV. Women as Entrepreneurs

9. Tia DeNora, "Embodiment and Opportunity: Bodily Capital, Reputation and Social Difference in Beethoven's Vienna Partnership"

10. Paula Gillett, "Entrepreneurial Women Musicians in Britain: 1790s to the early 1900s"

11. Jann Pasler, "Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation"

Index

Contributors

Warnhinweis