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Beschreibung
Examining a wide range of movies from the last thirty-five years, Timothy Cochran traces two recurring assumptions implied by self-conscious music-making in recent cinema: that music is a potent means of expressing sincerity and experiencing humanistic depth, and that music can provide varied forms of transcendence and psychological escape.
Examining a wide range of movies from the last thirty-five years, Timothy Cochran traces two recurring assumptions implied by self-conscious music-making in recent cinema: that music is a potent means of expressing sincerity and experiencing humanistic depth, and that music can provide varied forms of transcendence and psychological escape.
Über den Autor

Timothy Cochran is Associate Professor of Music History at Eastern Connecticut State University. His articles on Olivier Messiaen and Claude Debussy have appeared in The Journal of Musicology, Theoria, 19th-Century Music, and Twentieth-Century Music. His additional research interests include composer Bernard Herrmann and music in Indiewood.

Inhaltsverzeichnis

Introduction: Musical Reflexivity

Chapter 1: Enduring Romanticism: Spirit-Realms, Mass-Mediation, and the New Sincerity

Chapter 2: The Sounds of Sincerity: Hearing Post-Irony in Indiewood Film

Chapter 3: On Social Alienation and the Promises of Music

Chapter 4: Performing on Musical Playgrounds

Chapter 5: "I'm Afraid You're Just Too Darn Loud:" The Music Technological Sublime in Film

Chapter 6: Searching for Lost Time in Debussy's "Clair de lune"

Epilogue

Details
Erscheinungsjahr: 2023
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
ISBN-13: 9781032044309
ISBN-10: 1032044306
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Cochran, Timothy B.
Hersteller: Routledge
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 12 mm
Von/Mit: Timothy B. Cochran
Erscheinungsdatum: 31.05.2023
Gewicht: 0,336 kg
Artikel-ID: 126848345

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