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This analytical study explains how Mozart's music for Le Nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart did not merely interpret Da Ponte's characterisations but lent them temporal, musical forms. Charles Ford's analysis presents a new method by which to relate the music of the operas to the thinking of the European Enlightenment, involving close readings of late eighteenth-century understandings of 'man' and nature, self and other, morality and transgression, and gendered identities and sexuality.
This analytical study explains how Mozart's music for Le Nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart did not merely interpret Da Ponte's characterisations but lent them temporal, musical forms. Charles Ford's analysis presents a new method by which to relate the music of the operas to the thinking of the European Enlightenment, involving close readings of late eighteenth-century understandings of 'man' and nature, self and other, morality and transgression, and gendered identities and sexuality.
Über den Autor
Charles Ford is an associate fellow of the Institute of Musical Research, University of London, UK
Inhaltsverzeichnis
List of Figures and Tables, List of Music Examples, Notes on the Text and Acknowledgements, Part I. Overtures, 1. Introduction, 2. Enlightenment as Negative Freedom, 3. Enlightened Music, Part II. Masculine Music, 4. Music of Enlightened Masculinity, 5. Angry Masculine Music, 6. Libertinage and Musical Libertinage, 7. The Enlightenment's Legitimation of Feelings, 8. Sensitive Masculine Music, Conclusions to Part II: The Differentiation of Masculine Music, Part III. Feminine Music, 9. Music of Enlightened Femininity, 10. Sorrowful Feminine Music, 11. Hysterical Feminine Music, 12. Music of Feminine Moral Frailty, 13. The Musical Ridicule of Female Intentions, 14. Two Maids' and a Peasant Girl's Music, Conclusions to Part III: The Differentiation of Feminine Music, Part IV. Seductions, 15. Simple Musical Seductions, 16. Complex Musical Seduction: Fiordiligi and Ferrando, Part V. Finales, 17. Five Finales, 18. Don Giovanni and the Stone Man, 19. Kant, Sade and Don Giovanni, 20. Così fan tutte, Act II Finale, 21. The Futures of the Operas, Bibliography, Music Examples, Index
Details
Erscheinungsjahr: | 2012 |
---|---|
Fachbereich: | Allgemeines |
Genre: | Importe |
Rubrik: | Sozialwissenschaften |
Medium: | Buch |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780754668893 |
ISBN-10: | 0754668894 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Ford, Charles |
Hersteller: | Taylor & Francis |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 21 mm |
Von/Mit: | Charles Ford |
Erscheinungsdatum: | 28.05.2012 |
Gewicht: | 0,667 kg |
Über den Autor
Charles Ford is an associate fellow of the Institute of Musical Research, University of London, UK
Inhaltsverzeichnis
List of Figures and Tables, List of Music Examples, Notes on the Text and Acknowledgements, Part I. Overtures, 1. Introduction, 2. Enlightenment as Negative Freedom, 3. Enlightened Music, Part II. Masculine Music, 4. Music of Enlightened Masculinity, 5. Angry Masculine Music, 6. Libertinage and Musical Libertinage, 7. The Enlightenment's Legitimation of Feelings, 8. Sensitive Masculine Music, Conclusions to Part II: The Differentiation of Masculine Music, Part III. Feminine Music, 9. Music of Enlightened Femininity, 10. Sorrowful Feminine Music, 11. Hysterical Feminine Music, 12. Music of Feminine Moral Frailty, 13. The Musical Ridicule of Female Intentions, 14. Two Maids' and a Peasant Girl's Music, Conclusions to Part III: The Differentiation of Feminine Music, Part IV. Seductions, 15. Simple Musical Seductions, 16. Complex Musical Seduction: Fiordiligi and Ferrando, Part V. Finales, 17. Five Finales, 18. Don Giovanni and the Stone Man, 19. Kant, Sade and Don Giovanni, 20. Così fan tutte, Act II Finale, 21. The Futures of the Operas, Bibliography, Music Examples, Index
Details
Erscheinungsjahr: | 2012 |
---|---|
Fachbereich: | Allgemeines |
Genre: | Importe |
Rubrik: | Sozialwissenschaften |
Medium: | Buch |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780754668893 |
ISBN-10: | 0754668894 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Ford, Charles |
Hersteller: | Taylor & Francis |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 21 mm |
Von/Mit: | Charles Ford |
Erscheinungsdatum: | 28.05.2012 |
Gewicht: | 0,667 kg |
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