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Music in the Flesh
An Early Modern Musical Physiology
Buch von Bettina Varwig
Sprache: Englisch

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Beschreibung
"Music in the Flesh reimagines the lived experiences of music-making subjects (composers, musicians, listeners) in the long European seventeenth century. There are countless historical testimonies of the powerful effects of music upon early-modern bodies, described as moving, ravishing, painful, dangerous, curative, miraculous, and encompassing "the circulation of the humors, purification of the blood, dilation of the vessels and pores. In asking what this all meant at the time, the author considers musical scores and their surrounding texts as "somatic scripts" that afford a range of somatic actions and reactions and can give us a glimpse into the historical embodied experience of organized sound. Starting from the Lutheran hymns and their accompanying intellectual traditions and ritual practices in German-speaking lands, the book moves with ease across repertories and regions, sacred and vernacular musics, domestic and public settings in order to sketch a "physiology of music" that is as historically illuminating as it is relevant for present-day performing practices and that sheds unprecedented light on how subjectivity was embodied through sound in early-modern Europe"--
"Music in the Flesh reimagines the lived experiences of music-making subjects (composers, musicians, listeners) in the long European seventeenth century. There are countless historical testimonies of the powerful effects of music upon early-modern bodies, described as moving, ravishing, painful, dangerous, curative, miraculous, and encompassing "the circulation of the humors, purification of the blood, dilation of the vessels and pores. In asking what this all meant at the time, the author considers musical scores and their surrounding texts as "somatic scripts" that afford a range of somatic actions and reactions and can give us a glimpse into the historical embodied experience of organized sound. Starting from the Lutheran hymns and their accompanying intellectual traditions and ritual practices in German-speaking lands, the book moves with ease across repertories and regions, sacred and vernacular musics, domestic and public settings in order to sketch a "physiology of music" that is as historically illuminating as it is relevant for present-day performing practices and that sheds unprecedented light on how subjectivity was embodied through sound in early-modern Europe"--
Über den Autor
Bettina Varwig is professor of music history and fellow of Emmanuel College at the University of Cambridge. She is author of Histories of Heinrich Schütz and editor of Rethinking Bach.
Details
Erscheinungsjahr: 2023
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780226826882
ISBN-10: 0226826880
Sprache: Englisch
Einband: Gebunden
Autor: Varwig, Bettina
Hersteller: The University of Chicago Press
Maße: 231 x 161 x 30 mm
Von/Mit: Bettina Varwig
Erscheinungsdatum: 20.07.2023
Gewicht: 0,69 kg
Artikel-ID: 125696857
Über den Autor
Bettina Varwig is professor of music history and fellow of Emmanuel College at the University of Cambridge. She is author of Histories of Heinrich Schütz and editor of Rethinking Bach.
Details
Erscheinungsjahr: 2023
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780226826882
ISBN-10: 0226826880
Sprache: Englisch
Einband: Gebunden
Autor: Varwig, Bettina
Hersteller: The University of Chicago Press
Maße: 231 x 161 x 30 mm
Von/Mit: Bettina Varwig
Erscheinungsdatum: 20.07.2023
Gewicht: 0,69 kg
Artikel-ID: 125696857
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