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Music in the Early Twentieth Century, the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich
Music in the Early Twentieth Century, the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich
Über den Autor
Richard Taruskin is professor of musicology at the University of California, Berkeley. In addition to this work, Taruskin is also the author of such books as Music in the Western World: A History in Documents (1985), Text & Act (OUP, 1995), and Stravinsky and the Russian Traditions (1996). He is a frequent contributor to the New York Times, New Republic, and many other scholarly journals.
Details
Erscheinungsjahr: | 2009 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Buch |
ISBN-13: | 9780195384840 |
ISBN-10: | 0195384849 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Taruskin, Richard |
Komponist: | Richard Taruskin |
Auflage: | Revised edition |
Hersteller: | Oxford University Press |
Maße: | 250 x 178 x 58 mm |
Von/Mit: | Richard Taruskin |
Erscheinungsdatum: | 27.07.2009 |
Gewicht: | 1,563 kg |
Über den Autor
Richard Taruskin is professor of musicology at the University of California, Berkeley. In addition to this work, Taruskin is also the author of such books as Music in the Western World: A History in Documents (1985), Text & Act (OUP, 1995), and Stravinsky and the Russian Traditions (1996). He is a frequent contributor to the New York Times, New Republic, and many other scholarly journals.
Details
Erscheinungsjahr: | 2009 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Buch |
ISBN-13: | 9780195384840 |
ISBN-10: | 0195384849 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Taruskin, Richard |
Komponist: | Richard Taruskin |
Auflage: | Revised edition |
Hersteller: | Oxford University Press |
Maße: | 250 x 178 x 58 mm |
Von/Mit: | Richard Taruskin |
Erscheinungsdatum: | 27.07.2009 |
Gewicht: | 1,563 kg |
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