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Englisch
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Beschreibung
This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
Über den Autor
Alexander Rehding is the Fanny Peabody Professor of Music at Harvard University, an affiliate of the Department of Germanic Languages and Literatures, and an associate at the Center for European Studies. His research specializes in nineteenth-century music and in history of music theory. He is author of Hugo Riemann and the Birth of Modern Musical Thought.
Inhaltsverzeichnis
- Acknowledgements
- Preface
- Introduction - Facets of musical monumentality
- Chapter 1 - Musical Apotheoses
- Chapter 2 - Sounding Souvenirs
- Chapter 3 - Classical Values
- Chapter 4 - Collective Historia
- Chapter 5 - Faustian Descents
- Epilogue - Beethoven's Ninth at the Wall
- Bibliography
- Index
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9780190656133 |
ISBN-10: | 0190656131 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Rehding, Alexander |
Hersteller: | Oxford University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 19 mm |
Von/Mit: | Alexander Rehding |
Erscheinungsdatum: | 01.02.2017 |
Gewicht: | 0,547 kg |
Über den Autor
Alexander Rehding is the Fanny Peabody Professor of Music at Harvard University, an affiliate of the Department of Germanic Languages and Literatures, and an associate at the Center for European Studies. His research specializes in nineteenth-century music and in history of music theory. He is author of Hugo Riemann and the Birth of Modern Musical Thought.
Inhaltsverzeichnis
- Acknowledgements
- Preface
- Introduction - Facets of musical monumentality
- Chapter 1 - Musical Apotheoses
- Chapter 2 - Sounding Souvenirs
- Chapter 3 - Classical Values
- Chapter 4 - Collective Historia
- Chapter 5 - Faustian Descents
- Epilogue - Beethoven's Ninth at the Wall
- Bibliography
- Index
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9780190656133 |
ISBN-10: | 0190656131 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Rehding, Alexander |
Hersteller: | Oxford University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 19 mm |
Von/Mit: | Alexander Rehding |
Erscheinungsdatum: | 01.02.2017 |
Gewicht: | 0,547 kg |
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