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MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures-and the need for content to fit inside them-are every bit as central to communication as the boxes we call "media."
MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures-and the need for content to fit inside them-are every bit as central to communication as the boxes we call "media."
Jonathan Sterne teaches in the Department of Art History and Communication Studies, and the History and Philosophy of Science Program at McGill University. He is the author of the award-winning book The Audible Past: Cultural Origins of Sound Reproduction, also published by Duke University Press, and the editor of The Sound Studies Reader. Sterne has written for Tape Op, Punk Planet, Bad Subjects, and other alternative press venues. He also makes music and other audio works. Visit his website at [...]
Format Theory 1
1. Perceptual Techniques 32
2. Nature Builds No Telephones 61
3. Perceptual Coding and the Domestication of Noise 92
4. Making a Standard 128
5. Of MPEG, Measurement,and Men 148
6. Is Music a Thing? 184
The End of MP3 227
Notes 247
List of Interviews 295
Bibliography 299
Index 331
| Erscheinungsjahr: | 2012 |
|---|---|
| Genre: | Geschichte, Importe |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780822352877 |
| ISBN-10: | 0822352877 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Sterne, Jonathan |
| Hersteller: | Duke University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 235 x 156 x 20 mm |
| Von/Mit: | Jonathan Sterne |
| Erscheinungsdatum: | 17.07.2012 |
| Gewicht: | 0,549 kg |
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