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Beschreibung
Modernitalia provides a map of the Italian twentieth century in the form of twelve essays by the celebrated cultural historian Jeffrey T. Schnapp. Shuttling back and forth between literature, architecture, design, and the visual arts, the volume explores the metaphysics of speed, futurist and dada typography, real and imaginary forms of architecture, shifting regimes of mass spectacle, the iconography of labour, exhibitions as modes of public mobilization and persuasion, and the emergence of industrial models of literary culture and communication.
The figures featured in the book include Filippo Tommaso Marinetti, Mario Morasso, Julius Evola, Piero Portaluppi, Giuseppe Terragni, Alessandro Blasetti, Massimo Bontempelli, Giorgio de Chirico, Bruno Munari, Curzio Malaparte, and Henry Furst. Alongside these human protagonists appear granite blocks that drive the design of modern monuments, military searchlights that animate civilian shows, worker armies viewed as machines, sunglasses that tiptoe along the boundary of the private and public, newsreels as twentieth-century interpretations of Trajan¿s column, and book covers and bindings that act as authorial self-portraits. The volume captures the Italian path to cultural modernity in all of its brilliance and multiplicity.
Modernitalia provides a map of the Italian twentieth century in the form of twelve essays by the celebrated cultural historian Jeffrey T. Schnapp. Shuttling back and forth between literature, architecture, design, and the visual arts, the volume explores the metaphysics of speed, futurist and dada typography, real and imaginary forms of architecture, shifting regimes of mass spectacle, the iconography of labour, exhibitions as modes of public mobilization and persuasion, and the emergence of industrial models of literary culture and communication.
The figures featured in the book include Filippo Tommaso Marinetti, Mario Morasso, Julius Evola, Piero Portaluppi, Giuseppe Terragni, Alessandro Blasetti, Massimo Bontempelli, Giorgio de Chirico, Bruno Munari, Curzio Malaparte, and Henry Furst. Alongside these human protagonists appear granite blocks that drive the design of modern monuments, military searchlights that animate civilian shows, worker armies viewed as machines, sunglasses that tiptoe along the boundary of the private and public, newsreels as twentieth-century interpretations of Trajan¿s column, and book covers and bindings that act as authorial self-portraits. The volume captures the Italian path to cultural modernity in all of its brilliance and multiplicity.
Über den Autor
Jeffrey T. Schnapp is the faculty director of metaLAB (at) Harvard, at Harvard University.
Zusammenfassung
Exklusives Verkaufsrecht für: Gesamte Welt.
Inhaltsverzeichnis
Contents: Why Speed is a Religion-Morality - Bad Dada - Piero Portaluppi's Errant Line - The Monument without Style - Border Crossings: Italian/German Peregrinations of the Theater of Totality -Mostre - Notes on the Anatomy of the Worker - Shades (On a Premonitory Portrait by De Chirico) - Politics and Poetics in Marinetti's Zang Tumb Tuum- BrunoMunari's Bombs - Suckert's Sugar, Malaparte's Mala Leche - The Translator (Henry Furst).
Details
Erscheinungsjahr: 2012
Genre: Allg. & vergl. Sprachwissenschaft, Geisteswissenschaften, Kunst, Musik
Rubrik: Sprachwissenschaft
Medium: Taschenbuch
Inhalt: 342 S.
ISBN-13: 9783034307628
ISBN-10: 3034307624
Sprache: Englisch
Herstellernummer: 430762
Einband: Kartoniert / Broschiert
Autor: Schnapp, Jeffrey
Auflage: 1. Auflage
Hersteller: Peter Lang
Peter Lang Group AG, International Academic Publishers
Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, D-10178 Berlin, r.boehm-korff@peterlang.com
Maße: 225 x 150 x 19 mm
Von/Mit: Jeffrey Schnapp
Erscheinungsdatum: 15.08.2012
Gewicht: 0,481 kg
Artikel-ID: 104007138

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