Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences.
Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke's films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences.
Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke's films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.
Über den Autor

Catherine Wheatley holds degrees from the universities of Bath and Oxford, and is currently a researcher at the University of Southampton. She is a regular contributor to Sight & Sound magazine, as well as having published articles in several journals and books.

Inhaltsverzeichnis

List of Illustrations

Declaration

A Note on the Titles

Acknowledgements

Introduction

Chapter 1. The Last Moralist?
Chapter 2. Negotiating Modernism: Der Siebente Kontinent, Benny's Video, 71 Fragmente einer Chronologie des Zufalls
Chapter 3. The Ethics of Aggression: Funny Games
Chapter 4. Emotional Engagement and Narrativity: Code inconnu, La Pianiste, Le Temps du loup
Chapter 5. Shame and Guilt: Caché

Conclusion

Appendix I

Appendix II

Bibliography

Index

Details
Erscheinungsjahr: 2009
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Reihe: Film Europa
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781845457228
ISBN-10: 1845457226
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Wheatley, Catherine
Hersteller: Berghahn Books
Film Europa
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 13 mm
Von/Mit: Catherine Wheatley
Erscheinungsdatum: 01.09.2009
Gewicht: 0,346 kg
Artikel-ID: 101435537

Ähnliche Produkte