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Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map.
Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.
Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.
Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map.
Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.
Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.
Über den Autor
Carl J. Mora is a professor emeritus at the University of New Mexico. The author of numerous articles on varied aspects of Mexican, Spanish, American and British movies, he lives in Albuquerque.
Inhaltsverzeichnis
Table of Contents
Preface to the Third Edition
1. The Silent Film Era: 1896-1929
2. The Coming of Sound: 1930-1939
3. War and Growth of a Major Industry: 1940-1946
4. "Golden Age," Crisis, and Retrenchment: 1947-1959
5. Decline, Renovation, and the Return of Commercialism: 1960-1980
6. "To Rebuild a Ruined Cinema in a Ruined Country": 1981-1989
7. Globalization and New Paths: 1990-2004
Epilogue
Appendix 1. Selected Filmographies
Appendix 2. Useful Addresses
Notes
Bibliography
Index
Preface to the Third Edition
1. The Silent Film Era: 1896-1929
2. The Coming of Sound: 1930-1939
3. War and Growth of a Major Industry: 1940-1946
4. "Golden Age," Crisis, and Retrenchment: 1947-1959
5. Decline, Renovation, and the Return of Commercialism: 1960-1980
6. "To Rebuild a Ruined Cinema in a Ruined Country": 1981-1989
7. Globalization and New Paths: 1990-2004
Epilogue
Appendix 1. Selected Filmographies
Appendix 2. Useful Addresses
Notes
Bibliography
Index
Details
| Erscheinungsjahr: | 2012 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780786469253 |
| ISBN-10: | 0786469250 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Mora, Carl J. |
| Hersteller: | McFarland |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 254 x 178 x 18 mm |
| Von/Mit: | Carl J. Mora |
| Erscheinungsdatum: | 23.01.2012 |
| Gewicht: | 0,634 kg |