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Jeremy Wallach is Associate Professor in the Department of Popular Culture at Bowling Green State University in Ohio. He is the author of Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001.
Harris M. Berger is Professor of Music at Texas A&M University. He is the author of Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture and Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience.
Paul D. Greene is Associate Professor of Ethnomusicology and Integrative Arts at Pennsylvania State University, Brandywine. He is a co-editor of Wired for Sound: Engineering and Technologies in Sonic Cultures.
Affective Overdrive, Scene Dynamics, and Identity in the Global Metal Scene / Jeremy Wallach, Harris M. Berger, and Paul D. Greene 3
The Globalization of Metal / Deena Weinstein 34
Part 2. Metal, Gender, Modernity
"A Dream Return to Tang Dynasty": Masculinity, Male Camaraderie, and Chinese Heavy Metal in the 1990s / Cynthia P. Wong 63
Unleashed in the East: Metal Music, Masculinity, and "Malayness" in Indonesia, Malaysia, and Singapore / Jeremy Wallach 86
Part 3. Metal and the Nation
Electronic and Affective Overdrive: Tropes of Transgression in Nepal's Heavy Metal Scene / Paul D. Greene 109
Otherwise National: Locality and Power in the Art of Sepultura / Idelber Avelar 135
Part 4. Metal and Extremist Ideologies
The Marketing of Anglo-Identity in the North American Hatecore Metal Industry / Sharon Hochhauser 161
Musical Style, Ideology, and Mythology in Norwegian Black Metal / Ross Hagen 180
"You Are from Israel and That is Enough to Hate You Forever": Racism, Globalization, and Play within the Global Extreme Metal Scene / Keith Kahn-Harris 200
Part 5. Metal and the Music Industry
Arenas of the Imagination: Global Tours and the Heavy Metal Concert in the 1970s / Steve Waksman 227
Thunder in the Far East: The Heavy Metal Industry in 1990s Japan / Kei Kawano and Shuhei Hosokawa 247
Part 6. Small Nation/Small Scene Case Studies
Metal in a Micro Island State: An Insider's Perspective / Albert Bell 271
Noisy Crossroads: Metal Scenes in Slovenia / Rajko Muršic 294
Nako: The Metal in the Marrow of Easter Island Music / Dan Bendrups 313
Afterword / Robert Walser 333
Acknowledgments 337
Works Cited 339
Contributors 367
Index 371
Erscheinungsjahr: | 2011 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780822347330 |
ISBN-10: | 0822347334 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Wallach, Jeremy |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 238 x 156 x 25 mm |
Von/Mit: | Jeremy Wallach |
Erscheinungsdatum: | 27.12.2011 |
Gewicht: | 0,535 kg |
Jeremy Wallach is Associate Professor in the Department of Popular Culture at Bowling Green State University in Ohio. He is the author of Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001.
Harris M. Berger is Professor of Music at Texas A&M University. He is the author of Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture and Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience.
Paul D. Greene is Associate Professor of Ethnomusicology and Integrative Arts at Pennsylvania State University, Brandywine. He is a co-editor of Wired for Sound: Engineering and Technologies in Sonic Cultures.
Affective Overdrive, Scene Dynamics, and Identity in the Global Metal Scene / Jeremy Wallach, Harris M. Berger, and Paul D. Greene 3
The Globalization of Metal / Deena Weinstein 34
Part 2. Metal, Gender, Modernity
"A Dream Return to Tang Dynasty": Masculinity, Male Camaraderie, and Chinese Heavy Metal in the 1990s / Cynthia P. Wong 63
Unleashed in the East: Metal Music, Masculinity, and "Malayness" in Indonesia, Malaysia, and Singapore / Jeremy Wallach 86
Part 3. Metal and the Nation
Electronic and Affective Overdrive: Tropes of Transgression in Nepal's Heavy Metal Scene / Paul D. Greene 109
Otherwise National: Locality and Power in the Art of Sepultura / Idelber Avelar 135
Part 4. Metal and Extremist Ideologies
The Marketing of Anglo-Identity in the North American Hatecore Metal Industry / Sharon Hochhauser 161
Musical Style, Ideology, and Mythology in Norwegian Black Metal / Ross Hagen 180
"You Are from Israel and That is Enough to Hate You Forever": Racism, Globalization, and Play within the Global Extreme Metal Scene / Keith Kahn-Harris 200
Part 5. Metal and the Music Industry
Arenas of the Imagination: Global Tours and the Heavy Metal Concert in the 1970s / Steve Waksman 227
Thunder in the Far East: The Heavy Metal Industry in 1990s Japan / Kei Kawano and Shuhei Hosokawa 247
Part 6. Small Nation/Small Scene Case Studies
Metal in a Micro Island State: An Insider's Perspective / Albert Bell 271
Noisy Crossroads: Metal Scenes in Slovenia / Rajko Muršic 294
Nako: The Metal in the Marrow of Easter Island Music / Dan Bendrups 313
Afterword / Robert Walser 333
Acknowledgments 337
Works Cited 339
Contributors 367
Index 371
Erscheinungsjahr: | 2011 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780822347330 |
ISBN-10: | 0822347334 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Wallach, Jeremy |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 238 x 156 x 25 mm |
Von/Mit: | Jeremy Wallach |
Erscheinungsdatum: | 27.12.2011 |
Gewicht: | 0,535 kg |