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A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
- Foreword by Franklin Rosemont
- Acknowledgments
- Introduction
- 1. The Myth of the Child
- 2. Alchemy: Its History, Revival, and Symbolism
- 3. Initiation
- 4. The Occultation of Surrealism
- 5. Collage as Alchemy
- 6. The Alchemical Androgyne: Ernst and the Women in His Life
- 7. As Above, So Below: The Alchemical Landscapes
- Conclusion
- Notes
- An Alchemical Glossary
- Selected Bibliography
- Index
| Erscheinungsjahr: | 2001 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Seiten: | 340 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780292791367 |
| ISBN-10: | 0292791364 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Warlick, M. E. |
| Hersteller: | University of Texas Press |
| Maße: | 229 x 152 x 18 mm |
| Von/Mit: | M. E. Warlick |
| Erscheinungsdatum: | 01.03.2001 |
| Gewicht: | 0,494 kg |
- Foreword by Franklin Rosemont
- Acknowledgments
- Introduction
- 1. The Myth of the Child
- 2. Alchemy: Its History, Revival, and Symbolism
- 3. Initiation
- 4. The Occultation of Surrealism
- 5. Collage as Alchemy
- 6. The Alchemical Androgyne: Ernst and the Women in His Life
- 7. As Above, So Below: The Alchemical Landscapes
- Conclusion
- Notes
- An Alchemical Glossary
- Selected Bibliography
- Index
| Erscheinungsjahr: | 2001 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Seiten: | 340 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780292791367 |
| ISBN-10: | 0292791364 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Warlick, M. E. |
| Hersteller: | University of Texas Press |
| Maße: | 229 x 152 x 18 mm |
| Von/Mit: | M. E. Warlick |
| Erscheinungsdatum: | 01.03.2001 |
| Gewicht: | 0,494 kg |
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