Zur Startseite gehen
0,00 €*
Cover: 9781476682495 | Marco Ferreri | The Films of an Italian Provocateur | Roberto Curti
Dekorationsartikel gehören nicht zum Leistungsumfang.
Marco Ferreri
The Films of an Italian Provocateur
Taschenbuch von Roberto Curti
Sprache: Englisch

81,40 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
Marco Ferreri (1928-1997) was one of Italian cinema's boldest auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert and others), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation Tales of Ordinary Madness (1981). Ferreri's cinema dealt in highly original ways with contemporary issues: the crisis of marriage, relationships between sexes, consumerism, and political disillusionment. His films were controversial and confronted censorship issues, leading to Ferreri's fame as a master provocateur.
This book examines Marco Ferreri's life and career, placing his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of his films, with never-before-seen bits of information recovered from Italian ministerial archives and in-depth discussion of the director's unfilmed projects.
Marco Ferreri (1928-1997) was one of Italian cinema's boldest auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert and others), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation Tales of Ordinary Madness (1981). Ferreri's cinema dealt in highly original ways with contemporary issues: the crisis of marriage, relationships between sexes, consumerism, and political disillusionment. His films were controversial and confronted censorship issues, leading to Ferreri's fame as a master provocateur.
This book examines Marco Ferreri's life and career, placing his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of his films, with never-before-seen bits of information recovered from Italian ministerial archives and in-depth discussion of the director's unfilmed projects.
Über den Autor
Roberto Curti is an Italian film historian and the author of numerous published books and articles. He lives in Cortona, Italy.
Inhaltsverzeichnis
Table of Contents

Introduction: A Pale Blue Gaze at the World

One-King Midas in Reverse: The Early Years

Two-A Martian in Madrid: El pisito (1958), Los chicos (1960), and El cochecito (1960)

Three-Till Death Do Us Part: Gli adulteri (1961) and L'ape regina (1963)

Four-Meet Mr. Ponti: La donna scimmia (1964), Il professore (1964), and L'uomo dei 5 palloni (1965)

Five-Ferreri Against Ferreri: Marcia nuziale (1966), Corrida! (1965-66), and L'harem (1967)

Six-The Breaking Point: ­Break-up (1967-1968)

Seven-The Seeds of 1968: Dillinger è morto (1969), Il seme dell'uomo (1969), and Perché pagare per essere felici!! (1970)

Eight-Paper Bombs: L'udienza (1972) and La cagna (1972)

Nine-The Physiological Machine: La Grande Bouffe (1973)

Ten-The Malaise of Civilization: Touche pas à la femme blanche (1974) and L'ultima donna (1976)

Eleven-The Child Is the Father of the Man: Yerma (1978), Ciao maschio (1978), and Chiedo asilo (1979)

Twelve-Tales That Witness Madness: Storie di ordinaria follia (1981) and Storia di Piera (1983)

Thirteen-Exploded Cinema, Exploded World: Il futuro è donna (1984), I Love You (1986), and Come sono buoni i bianchi! (1988)

Fourteen-Long Live the Old Flesh: Le Banquet (1988), La casa del sorriso (1991), and La carne (1991)

Fifteen-Chronicles of a Disappearance: Diario di un vizio (1993), "Faitz ce que vouldras" (1994), and Nitrato d'argento (1996)

Epilogue

Filmography

Chapter Notes

Bibliography

Index
Details
Erscheinungsjahr: 2024
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
ISBN-13: 9781476682495
ISBN-10: 1476682496
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Curti, Roberto
Hersteller: McFarland
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 254 x 178 x 18 mm
Von/Mit: Roberto Curti
Erscheinungsdatum: 03.07.2024
Gewicht: 0,634 kg
Artikel-ID: 129662459
Über den Autor
Roberto Curti is an Italian film historian and the author of numerous published books and articles. He lives in Cortona, Italy.
Inhaltsverzeichnis
Table of Contents

Introduction: A Pale Blue Gaze at the World

One-King Midas in Reverse: The Early Years

Two-A Martian in Madrid: El pisito (1958), Los chicos (1960), and El cochecito (1960)

Three-Till Death Do Us Part: Gli adulteri (1961) and L'ape regina (1963)

Four-Meet Mr. Ponti: La donna scimmia (1964), Il professore (1964), and L'uomo dei 5 palloni (1965)

Five-Ferreri Against Ferreri: Marcia nuziale (1966), Corrida! (1965-66), and L'harem (1967)

Six-The Breaking Point: ­Break-up (1967-1968)

Seven-The Seeds of 1968: Dillinger è morto (1969), Il seme dell'uomo (1969), and Perché pagare per essere felici!! (1970)

Eight-Paper Bombs: L'udienza (1972) and La cagna (1972)

Nine-The Physiological Machine: La Grande Bouffe (1973)

Ten-The Malaise of Civilization: Touche pas à la femme blanche (1974) and L'ultima donna (1976)

Eleven-The Child Is the Father of the Man: Yerma (1978), Ciao maschio (1978), and Chiedo asilo (1979)

Twelve-Tales That Witness Madness: Storie di ordinaria follia (1981) and Storia di Piera (1983)

Thirteen-Exploded Cinema, Exploded World: Il futuro è donna (1984), I Love You (1986), and Come sono buoni i bianchi! (1988)

Fourteen-Long Live the Old Flesh: Le Banquet (1988), La casa del sorriso (1991), and La carne (1991)

Fifteen-Chronicles of a Disappearance: Diario di un vizio (1993), "Faitz ce que vouldras" (1994), and Nitrato d'argento (1996)

Epilogue

Filmography

Chapter Notes

Bibliography

Index
Details
Erscheinungsjahr: 2024
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
ISBN-13: 9781476682495
ISBN-10: 1476682496
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Curti, Roberto
Hersteller: McFarland
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 254 x 178 x 18 mm
Von/Mit: Roberto Curti
Erscheinungsdatum: 03.07.2024
Gewicht: 0,634 kg
Artikel-ID: 129662459
Sicherheitshinweis

Ähnliche Produkte

Diese Website verwendet Cookies, um eine bestmögliche Erfahrung bieten zu können. Mehr Informationen ...