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Beschreibung
Anette Hoffmann examines the archive of stories and songs by WWI African POWs held in Germany to gain new understandings of extractive knowledge production and the lived experience of colonialism.
Anette Hoffmann examines the archive of stories and songs by WWI African POWs held in Germany to gain new understandings of extractive knowledge production and the lived experience of colonialism.
Über den Autor
Anette Hoffmann is a Senior Researcher at the University of Cologne’s Institute for African Studies and Egyptology. She is the author of Listening to Colonial History: Echoes of Coercive Knowledge Production in Historical Sound Recordings from Southern Africa.
Inhaltsverzeichnis
Note on Sound Recordings ix
Prologue: Catchers of the Living 1
Fragment 1. Samba Diallo: “The War of the Whites” / "Catcher of the Living"
Introduction: Listening to Acoustic Fragments 11
Fragment II. Jámafáda: “The War is Horrible”
1. Abdoulay Niang: Voice, Race, and the Suspension of Communication in Linguistic Recordings 23
Fragment III. Asmani Ben Ahmad: “Once Upon a Time”
2. Mohamed Nur: Traces in Archives, Linguistics Texts, and Museums in Germany 66
Fragment IV. Josef Ntwanumbi: “We are Initiates”
3. Albert Kudjabo and Stephan Bischoff: Mysterious Sounds, Opaque Languages and Otherworldly Voices 101
Fragment V. Mamadou Gregoire: “The Sea Requests Fish from the Rivers”
Afterword: Knowing by Ear 147
Acknowledgments 157
Notes 161
References 183
Index 201
Prologue: Catchers of the Living 1
Fragment 1. Samba Diallo: “The War of the Whites” / "Catcher of the Living"
Introduction: Listening to Acoustic Fragments 11
Fragment II. Jámafáda: “The War is Horrible”
1. Abdoulay Niang: Voice, Race, and the Suspension of Communication in Linguistic Recordings 23
Fragment III. Asmani Ben Ahmad: “Once Upon a Time”
2. Mohamed Nur: Traces in Archives, Linguistics Texts, and Museums in Germany 66
Fragment IV. Josef Ntwanumbi: “We are Initiates”
3. Albert Kudjabo and Stephan Bischoff: Mysterious Sounds, Opaque Languages and Otherworldly Voices 101
Fragment V. Mamadou Gregoire: “The Sea Requests Fish from the Rivers”
Afterword: Knowing by Ear 147
Acknowledgments 157
Notes 161
References 183
Index 201
Details
Erscheinungsjahr: | 2024 |
---|---|
Genre: | Geschichte, Importe |
Jahrhundert: | 20. Jahrhundert |
Rubrik: | Geisteswissenschaften |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781478030027 |
ISBN-10: | 147803002X |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Hoffmann, Anette |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 226 x 151 x 12 mm |
Von/Mit: | Anette Hoffmann |
Erscheinungsdatum: | 29.03.2024 |
Gewicht: | 0,344 kg |
Über den Autor
Anette Hoffmann is a Senior Researcher at the University of Cologne’s Institute for African Studies and Egyptology. She is the author of Listening to Colonial History: Echoes of Coercive Knowledge Production in Historical Sound Recordings from Southern Africa.
Inhaltsverzeichnis
Note on Sound Recordings ix
Prologue: Catchers of the Living 1
Fragment 1. Samba Diallo: “The War of the Whites” / "Catcher of the Living"
Introduction: Listening to Acoustic Fragments 11
Fragment II. Jámafáda: “The War is Horrible”
1. Abdoulay Niang: Voice, Race, and the Suspension of Communication in Linguistic Recordings 23
Fragment III. Asmani Ben Ahmad: “Once Upon a Time”
2. Mohamed Nur: Traces in Archives, Linguistics Texts, and Museums in Germany 66
Fragment IV. Josef Ntwanumbi: “We are Initiates”
3. Albert Kudjabo and Stephan Bischoff: Mysterious Sounds, Opaque Languages and Otherworldly Voices 101
Fragment V. Mamadou Gregoire: “The Sea Requests Fish from the Rivers”
Afterword: Knowing by Ear 147
Acknowledgments 157
Notes 161
References 183
Index 201
Prologue: Catchers of the Living 1
Fragment 1. Samba Diallo: “The War of the Whites” / "Catcher of the Living"
Introduction: Listening to Acoustic Fragments 11
Fragment II. Jámafáda: “The War is Horrible”
1. Abdoulay Niang: Voice, Race, and the Suspension of Communication in Linguistic Recordings 23
Fragment III. Asmani Ben Ahmad: “Once Upon a Time”
2. Mohamed Nur: Traces in Archives, Linguistics Texts, and Museums in Germany 66
Fragment IV. Josef Ntwanumbi: “We are Initiates”
3. Albert Kudjabo and Stephan Bischoff: Mysterious Sounds, Opaque Languages and Otherworldly Voices 101
Fragment V. Mamadou Gregoire: “The Sea Requests Fish from the Rivers”
Afterword: Knowing by Ear 147
Acknowledgments 157
Notes 161
References 183
Index 201
Details
Erscheinungsjahr: | 2024 |
---|---|
Genre: | Geschichte, Importe |
Jahrhundert: | 20. Jahrhundert |
Rubrik: | Geisteswissenschaften |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781478030027 |
ISBN-10: | 147803002X |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Hoffmann, Anette |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 226 x 151 x 12 mm |
Von/Mit: | Anette Hoffmann |
Erscheinungsdatum: | 29.03.2024 |
Gewicht: | 0,344 kg |
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