Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
26,45 €
Versandkostenfrei per Post / DHL
Lieferzeit 4-7 Werktage
Kategorien:
Beschreibung
This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
Über den Autor
Stanton B. Garner, Jr. is Professor of English and Adjunct Professor of Theatre at the University of Tennessee, USA. He is the author of The Absent Voice: Narrative Comprehension in the Theater, Bodied Spaces: Phenomenology and Performance in Contemporary Drama, Trevor Griffiths: Politics, Drama, History, and numerous articles on drama, theatre, and performance.
Zusammenfassung
Bridges the gap between a phenomenologically-grounded perspective on movement and cognitive theatre studies
Adds a useful perspective to recent scholarship on disability, theatre, and performance
Provides in-depth analyses of innovative twentieth-first productions and performances, most of which have not received sustained critical attention
Inhaltsverzeichnis
Introduction.- Movement and Animation.-Movement, Difference, Ability.- Movement, Attention, and Intentionality.-Kinesthetic Resonance.-Language, Speech, Movement.- Empathy and Otherness.
Details
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Reihe: | Cognitive Studies in Literature and Performance |
| Inhalt: |
xii
277 S. |
| ISBN-13: | 9783030063009 |
| ISBN-10: | 3030063003 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Garner, Jr. |
| Hersteller: |
Springer
Springer International Publishing AG Cognitive Studies in Literature and Performance |
| Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
| Maße: | 210 x 148 x 16 mm |
| Von/Mit: | Jr. Garner |
| Erscheinungsdatum: | 06.12.2018 |
| Gewicht: | 0,381 kg |