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Keith Haring's Line
Race and the Performance of Desire
Taschenbuch von Ricardo Montez
Sprache: Englisch

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Beschreibung
In the thirty years since his death, Keith Haring-a central presence on the New York downtown scene of the 1980s-has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring's artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring's artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring's Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring's life and art. Examining Haring's engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring's messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation.
In the thirty years since his death, Keith Haring-a central presence on the New York downtown scene of the 1980s-has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring's artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring's artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring's Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring's life and art. Examining Haring's engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring's messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation.
Über den Autor
Ricardo Montez
Inhaltsverzeichnis
List of Illustrations ix
Acknowledgments xi
Introduction. The Call of the Impossible Figure 1
1. Desire in Transit: Writing It Out in New York City 31
2. "Trade' Marks: LA II and a Queer Economy of Exchange 61
3. Theory Made Flesh?: Keeping Up with Grace Jones 83
4. Drips, Rust, and Residue: Forms of Longing 109
Notes 135
Bibliography 141
Index 145
Details
Erscheinungsjahr: 2020
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Seiten: 166
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781478009535
ISBN-10: 1478009535
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Montez, Ricardo
Hersteller: Duke University Press
Maße: 229 x 152 x 10 mm
Von/Mit: Ricardo Montez
Erscheinungsdatum: 29.09.2020
Gewicht: 0,251 kg
preigu-id: 117609448
Über den Autor
Ricardo Montez
Inhaltsverzeichnis
List of Illustrations ix
Acknowledgments xi
Introduction. The Call of the Impossible Figure 1
1. Desire in Transit: Writing It Out in New York City 31
2. "Trade' Marks: LA II and a Queer Economy of Exchange 61
3. Theory Made Flesh?: Keeping Up with Grace Jones 83
4. Drips, Rust, and Residue: Forms of Longing 109
Notes 135
Bibliography 141
Index 145
Details
Erscheinungsjahr: 2020
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Seiten: 166
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781478009535
ISBN-10: 1478009535
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Montez, Ricardo
Hersteller: Duke University Press
Maße: 229 x 152 x 10 mm
Von/Mit: Ricardo Montez
Erscheinungsdatum: 29.09.2020
Gewicht: 0,251 kg
preigu-id: 117609448
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