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This catalogue accompanies the first major exhibition on Käthe Kollwitz in the U.S. in more than thirty years, and the first presentation at a New York City museum.
In the early decades of the twentieth century, when many artists were experimenting with the language of abstraction and the leading figures were almost exclusively men, Käthe Kollwitz (German, 1867-1945) achieved unlikely renown for her figurative prints focusing on the hardships of women and the working class. Convinced that printed art was the most effective organ of social criticism, she developed into one of history's most outstanding graphic artists. Published in conjunction with the first major international loan exhibition of her work in the U.S. in more than thirty years, and the first major presentations at a New York City museum, this catalogue traces the development of Kollwitz's career from the 1890s until her death in 1945, showcasing approximately 130 extraordinary and rarely seen examples of her work in prints, drawings, and sculpture.
In the early decades of the twentieth century, when many artists were experimenting with the language of abstraction and the leading figures were almost exclusively men, Käthe Kollwitz (German, 1867-1945) achieved unlikely renown for her figurative prints focusing on the hardships of women and the working class. Convinced that printed art was the most effective organ of social criticism, she developed into one of history's most outstanding graphic artists. Published in conjunction with the first major international loan exhibition of her work in the U.S. in more than thirty years, and the first major presentations at a New York City museum, this catalogue traces the development of Kollwitz's career from the 1890s until her death in 1945, showcasing approximately 130 extraordinary and rarely seen examples of her work in prints, drawings, and sculpture.
This catalogue accompanies the first major exhibition on Käthe Kollwitz in the U.S. in more than thirty years, and the first presentation at a New York City museum.
In the early decades of the twentieth century, when many artists were experimenting with the language of abstraction and the leading figures were almost exclusively men, Käthe Kollwitz (German, 1867-1945) achieved unlikely renown for her figurative prints focusing on the hardships of women and the working class. Convinced that printed art was the most effective organ of social criticism, she developed into one of history's most outstanding graphic artists. Published in conjunction with the first major international loan exhibition of her work in the U.S. in more than thirty years, and the first major presentations at a New York City museum, this catalogue traces the development of Kollwitz's career from the 1890s until her death in 1945, showcasing approximately 130 extraordinary and rarely seen examples of her work in prints, drawings, and sculpture.
In the early decades of the twentieth century, when many artists were experimenting with the language of abstraction and the leading figures were almost exclusively men, Käthe Kollwitz (German, 1867-1945) achieved unlikely renown for her figurative prints focusing on the hardships of women and the working class. Convinced that printed art was the most effective organ of social criticism, she developed into one of history's most outstanding graphic artists. Published in conjunction with the first major international loan exhibition of her work in the U.S. in more than thirty years, and the first major presentations at a New York City museum, this catalogue traces the development of Kollwitz's career from the 1890s until her death in 1945, showcasing approximately 130 extraordinary and rarely seen examples of her work in prints, drawings, and sculpture.
Über den Autor
Starr Figura is a Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York.
Inhaltsverzeichnis
¿ Front matter
¿ Introductory essay by Starr Figura (approx. 6,000 words)
¿ 3 thematic essays by Kristy Bell, Dorothy Price, and Sarah Rapoport (approx. 15,000 words total)
¿ Plates with 9 object essays (approx. 8,500 words total)
¿ Illustrated chronology
¿ Checklist
¿ Index
¿ Backmatter
¿ Introductory essay by Starr Figura (approx. 6,000 words)
¿ 3 thematic essays by Kristy Bell, Dorothy Price, and Sarah Rapoport (approx. 15,000 words total)
¿ Plates with 9 object essays (approx. 8,500 words total)
¿ Illustrated chronology
¿ Checklist
¿ Index
¿ Backmatter
Details
Erscheinungsjahr: | 2024 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Seiten: | 256 |
ISBN-13: | 9781633451612 |
ISBN-10: | 1633451615 |
Sprache: | Englisch |
Einband: | Gebunden |
Redaktion: | Figura, Starr |
Hersteller: | Thames & Hudson |
Abbildungen: | Illustrated in colour |
Maße: | 273 x 236 x 29 mm |
Von/Mit: | Starr Figura |
Erscheinungsdatum: | 26.03.2024 |
Gewicht: | 1,376 kg |
Über den Autor
Starr Figura is a Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York.
Inhaltsverzeichnis
¿ Front matter
¿ Introductory essay by Starr Figura (approx. 6,000 words)
¿ 3 thematic essays by Kristy Bell, Dorothy Price, and Sarah Rapoport (approx. 15,000 words total)
¿ Plates with 9 object essays (approx. 8,500 words total)
¿ Illustrated chronology
¿ Checklist
¿ Index
¿ Backmatter
¿ Introductory essay by Starr Figura (approx. 6,000 words)
¿ 3 thematic essays by Kristy Bell, Dorothy Price, and Sarah Rapoport (approx. 15,000 words total)
¿ Plates with 9 object essays (approx. 8,500 words total)
¿ Illustrated chronology
¿ Checklist
¿ Index
¿ Backmatter
Details
Erscheinungsjahr: | 2024 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Seiten: | 256 |
ISBN-13: | 9781633451612 |
ISBN-10: | 1633451615 |
Sprache: | Englisch |
Einband: | Gebunden |
Redaktion: | Figura, Starr |
Hersteller: | Thames & Hudson |
Abbildungen: | Illustrated in colour |
Maße: | 273 x 236 x 29 mm |
Von/Mit: | Starr Figura |
Erscheinungsdatum: | 26.03.2024 |
Gewicht: | 1,376 kg |
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