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Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art--including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell--as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription. Published in conjunction with the first museum exhibition to focus on this gallery and its ongoing impact, this book showcases rarely seen material from JAM's history--artworks, ephemera and photographs--that collectively document the gallery's communal and programmatic activities. It includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project.
Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art--including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell--as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription. Published in conjunction with the first museum exhibition to focus on this gallery and its ongoing impact, this book showcases rarely seen material from JAM's history--artworks, ephemera and photographs--that collectively document the gallery's communal and programmatic activities. It includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project.
Über den Autor
Thomas J. Lax is a Curator in the Department of Media and Performance, The Museum of Modern Art, New York.
Lilia Rocio Taboada is a Curatorial Assistant in the Department of Media and Performance, MoMA.
Linda Goode Bryant is the founder of Just Above Midtown (JAM).
Thelma Golden is the Director and Chief Curator of The Studio Museum in Harlem.
Kellie Jones is Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University.
Rujeko Hockley is an Assistant Curator at the Whitney Museum of American Art.
Eric Booker is an Assistant Curator and Exhibition Coordinator at The Studio Museum in Harlem.
Brandon Eng is the 2021-22 Mellon-Marron Research Consortium Fellow in the Department of Media and Performance, MoMA.
Marielle Ingram was the 2019-20 12-Month Intern in the Department of Media and Performance, MoMA.
Yelena Keller is a Curatorial Assistant, Exhibitions, at The Studio Museum in Harlem.
Legacy Russell is the Executive Director and Chief Curator of The Kitchen, and previously an Associate Curator, Exhibitions, at The Studio Museum in Harlem.
Lilia Rocio Taboada is a Curatorial Assistant in the Department of Media and Performance, MoMA.
Linda Goode Bryant is the founder of Just Above Midtown (JAM).
Thelma Golden is the Director and Chief Curator of The Studio Museum in Harlem.
Kellie Jones is Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University.
Rujeko Hockley is an Assistant Curator at the Whitney Museum of American Art.
Eric Booker is an Assistant Curator and Exhibition Coordinator at The Studio Museum in Harlem.
Brandon Eng is the 2021-22 Mellon-Marron Research Consortium Fellow in the Department of Media and Performance, MoMA.
Marielle Ingram was the 2019-20 12-Month Intern in the Department of Media and Performance, MoMA.
Yelena Keller is a Curatorial Assistant, Exhibitions, at The Studio Museum in Harlem.
Legacy Russell is the Executive Director and Chief Curator of The Kitchen, and previously an Associate Curator, Exhibitions, at The Studio Museum in Harlem.
Inhaltsverzeichnis
Foreword (500 words) - Glenn Lowry and Thelma Golden
Introduction (4500 words) - Thomas Lax
Linda Goode Bryant in conversation with Thelma Golden (6,500 words)
Kellie Jones essay (3,000 words)
Rujeko Hockley essay (5,000 words)
Complete exhibition chronology with 48 annotated object entries @ 150-500 words each (15,000 words) - various SMH and MoMA staff authors
Excerpts of Just Above Midtown Oral History Project (4,000 words) - 12 participants
Checklist of the Exhibition
Trustee Lists
Colophon
Introduction (4500 words) - Thomas Lax
Linda Goode Bryant in conversation with Thelma Golden (6,500 words)
Kellie Jones essay (3,000 words)
Rujeko Hockley essay (5,000 words)
Complete exhibition chronology with 48 annotated object entries @ 150-500 words each (15,000 words) - various SMH and MoMA staff authors
Excerpts of Just Above Midtown Oral History Project (4,000 words) - 12 participants
Checklist of the Exhibition
Trustee Lists
Colophon
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Seiten: | 184 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781633451377 |
| ISBN-10: | 1633451372 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: |
Rocio Taboada, Lilia
Lax, Thomas J. |
| Hersteller: | Museum of Modern Art |
| Maße: | 243 x 306 x 20 mm |
| Von/Mit: | Lilia Rocio Taboada (u. a.) |
| Erscheinungsdatum: | 20.10.2022 |
| Gewicht: | 0,914 kg |
Über den Autor
Thomas J. Lax is a Curator in the Department of Media and Performance, The Museum of Modern Art, New York.
Lilia Rocio Taboada is a Curatorial Assistant in the Department of Media and Performance, MoMA.
Linda Goode Bryant is the founder of Just Above Midtown (JAM).
Thelma Golden is the Director and Chief Curator of The Studio Museum in Harlem.
Kellie Jones is Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University.
Rujeko Hockley is an Assistant Curator at the Whitney Museum of American Art.
Eric Booker is an Assistant Curator and Exhibition Coordinator at The Studio Museum in Harlem.
Brandon Eng is the 2021-22 Mellon-Marron Research Consortium Fellow in the Department of Media and Performance, MoMA.
Marielle Ingram was the 2019-20 12-Month Intern in the Department of Media and Performance, MoMA.
Yelena Keller is a Curatorial Assistant, Exhibitions, at The Studio Museum in Harlem.
Legacy Russell is the Executive Director and Chief Curator of The Kitchen, and previously an Associate Curator, Exhibitions, at The Studio Museum in Harlem.
Lilia Rocio Taboada is a Curatorial Assistant in the Department of Media and Performance, MoMA.
Linda Goode Bryant is the founder of Just Above Midtown (JAM).
Thelma Golden is the Director and Chief Curator of The Studio Museum in Harlem.
Kellie Jones is Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University.
Rujeko Hockley is an Assistant Curator at the Whitney Museum of American Art.
Eric Booker is an Assistant Curator and Exhibition Coordinator at The Studio Museum in Harlem.
Brandon Eng is the 2021-22 Mellon-Marron Research Consortium Fellow in the Department of Media and Performance, MoMA.
Marielle Ingram was the 2019-20 12-Month Intern in the Department of Media and Performance, MoMA.
Yelena Keller is a Curatorial Assistant, Exhibitions, at The Studio Museum in Harlem.
Legacy Russell is the Executive Director and Chief Curator of The Kitchen, and previously an Associate Curator, Exhibitions, at The Studio Museum in Harlem.
Inhaltsverzeichnis
Foreword (500 words) - Glenn Lowry and Thelma Golden
Introduction (4500 words) - Thomas Lax
Linda Goode Bryant in conversation with Thelma Golden (6,500 words)
Kellie Jones essay (3,000 words)
Rujeko Hockley essay (5,000 words)
Complete exhibition chronology with 48 annotated object entries @ 150-500 words each (15,000 words) - various SMH and MoMA staff authors
Excerpts of Just Above Midtown Oral History Project (4,000 words) - 12 participants
Checklist of the Exhibition
Trustee Lists
Colophon
Introduction (4500 words) - Thomas Lax
Linda Goode Bryant in conversation with Thelma Golden (6,500 words)
Kellie Jones essay (3,000 words)
Rujeko Hockley essay (5,000 words)
Complete exhibition chronology with 48 annotated object entries @ 150-500 words each (15,000 words) - various SMH and MoMA staff authors
Excerpts of Just Above Midtown Oral History Project (4,000 words) - 12 participants
Checklist of the Exhibition
Trustee Lists
Colophon
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Seiten: | 184 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781633451377 |
| ISBN-10: | 1633451372 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: |
Rocio Taboada, Lilia
Lax, Thomas J. |
| Hersteller: | Museum of Modern Art |
| Maße: | 243 x 306 x 20 mm |
| Von/Mit: | Lilia Rocio Taboada (u. a.) |
| Erscheinungsdatum: | 20.10.2022 |
| Gewicht: | 0,914 kg |
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