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Examining these films as a collective and relatively cohesive body of work, this book highlights what Crawford aspired to achieve in her art, how--when the circumstances were right--she could deliver superb results, how she helped expand the possibilities for noir, and why the best of her efforts speak across the decades with such intensity and authority.
Examining these films as a collective and relatively cohesive body of work, this book highlights what Crawford aspired to achieve in her art, how--when the circumstances were right--she could deliver superb results, how she helped expand the possibilities for noir, and why the best of her efforts speak across the decades with such intensity and authority.
Acknowledgments
Author's Note
Preface
Introduction: From Cinderella to Cinema's Dark Art
¿1.¿"The world belongs to the devil": A Woman's Face (1941)
¿2.¿"I love you, Mother, really I do. But let's not be sticky about it": Mildred Pierce (1945)
¿3.¿"You might be sorry love was ever invented, Paul": Humoresque (1946)
¿4.¿"I don't know what's wrong. I don't know why I am this way": Possessed (1947)
¿5.¿"I love you, too, I guess": Daisy Kenyon (1947)
¿6.¿"You just wouldn't believe how much trouble it is to dispose of a dead elephant": Flamingo Road (1949)
¿7.¿"You gotta kick and punch and belt your way up, 'cause nobody's gonna to give you a lift": The Damned Don't Cry (1950)
¿8.¿"I'm sure your life is going to be much brighter from now on": This Woman Is Dangerous (1952)
¿9.¿"Lester, I have a gun": Sudden Fear (1952)
10.¿"Aren't I wicked?": Female on the Beach and Queen Bee (Both 1955)
11.¿"Your filthy souls are too evil for Hell itself": Autumn Leaves (1956)
12.¿"If you don't give me a divorce, we'll kill you": Television Noirs "The Road to Edinburgh" (1954) and "Strange Witness" (1958)
Conclusion: Aftermath and Appreciation
Chapter Notes
Bibliography
Index
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Seiten: | 226 |
| ISBN-13: | 9781476691473 |
| ISBN-10: | 1476691479 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Meuel, David |
| Hersteller: | McFarland and Company, Inc. |
| Maße: | 229 x 152 x 13 mm |
| Von/Mit: | David Meuel |
| Erscheinungsdatum: | 22.02.2024 |
| Gewicht: | 0,374 kg |
Acknowledgments
Author's Note
Preface
Introduction: From Cinderella to Cinema's Dark Art
¿1.¿"The world belongs to the devil": A Woman's Face (1941)
¿2.¿"I love you, Mother, really I do. But let's not be sticky about it": Mildred Pierce (1945)
¿3.¿"You might be sorry love was ever invented, Paul": Humoresque (1946)
¿4.¿"I don't know what's wrong. I don't know why I am this way": Possessed (1947)
¿5.¿"I love you, too, I guess": Daisy Kenyon (1947)
¿6.¿"You just wouldn't believe how much trouble it is to dispose of a dead elephant": Flamingo Road (1949)
¿7.¿"You gotta kick and punch and belt your way up, 'cause nobody's gonna to give you a lift": The Damned Don't Cry (1950)
¿8.¿"I'm sure your life is going to be much brighter from now on": This Woman Is Dangerous (1952)
¿9.¿"Lester, I have a gun": Sudden Fear (1952)
10.¿"Aren't I wicked?": Female on the Beach and Queen Bee (Both 1955)
11.¿"Your filthy souls are too evil for Hell itself": Autumn Leaves (1956)
12.¿"If you don't give me a divorce, we'll kill you": Television Noirs "The Road to Edinburgh" (1954) and "Strange Witness" (1958)
Conclusion: Aftermath and Appreciation
Chapter Notes
Bibliography
Index
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Seiten: | 226 |
| ISBN-13: | 9781476691473 |
| ISBN-10: | 1476691479 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Meuel, David |
| Hersteller: | McFarland and Company, Inc. |
| Maße: | 229 x 152 x 13 mm |
| Von/Mit: | David Meuel |
| Erscheinungsdatum: | 22.02.2024 |
| Gewicht: | 0,374 kg |
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