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Bruce Owens Grimm is a Pushcart-nominated, queer ghost-nerd based in Chicago. He is a coeditor of Fat and Queer: An Anthology of Queer and Trans Bodies and Lives. His essays and reviews have appeared in The Rumpus, Brevity’s Nonfiction Blog, Sweet: A Literary Confection, Entropy, AWP’s Writer’s Notebook, and elsewhere. He attended the 2021 Tin House Winter Workshop as well as residencies and workshops at The Fine Arts Work Center in Provincetown, Vermont Studio Center, and the Virginia Center for the Creative Arts (VCCA) among others.
INTRODUCTION
PART I: AN EXCELLENT DAY FOR AN EXORCISM
“A Demon-Girl’s Guide to Life” by S. Trimble (on The Exorcist)
“Both Ways” by Carmen Maria Machado (on Jennifer’s Body)
“My Hand on the Glass” by Bruce Owens Grimm (on Hereditary)
“The Girl, The Well, The Ring” by Zefyr Lisowski (on The Ring and Pet Sematary)
“Imprint” by Joe Vallese (on Grace)
PART II: MONSTER MASH
“Indescribable” by Carrow Narby (on The Blob)
“A Working Definition of the Monstrous” by Ryan Dzelzkalns (on Godzilla)
“The Wolf in the Room” by Prince Shakur (on Good Manners)
“Three Men on a Boat” by Jen Corrigan (on Jaws)
“The Wolf Man’s Daughter” by Tosha R. Taylor (on The Wolf Man)
PART III: FATAL ATTRACTIONS
“Twin/Skin” by Addie Tsai (on Dead Ringers)
“Loving Annie Hayworth” by Laura Maw (on The Birds)
“The Same Kind of Monster” by Jonathan Robbins Leon (on The Leech Woman)
“Centered and Seen” by Sumiko Saulson (on Candyman)
“Blood, Actually” by Grant Sutton (on Friday the 13th, part II)
PART IV: WHATEVER YOU DO, DON’T FALL ASLEEP
“The Trail of His Flames” by Tucker Lieberman (on The Nightmare on Elm Street)
“The Me in the Screen” by Steffan Triplett (on Us)
“Sight Unseen” by Spencer Williams (on The Blair Witch Project)
“Bad Hombre” by Sarah Fonseca (on Eres tú, papa?)
“Black Body Snatchers” by Samuel Autman (on Get Out)
PART V: FINAL CUTS
“Long Nights in the Dark” by Richard Scott Larson (on Halloween)
“On Beauty and Necrosis” by Sachiko Ragosta (on Eyes Without a Face)
“Good Guys, Dolls” by Will Stockton (on Child’s Play)
“The Healed Body” by Jude Ellison S. Doyle (on In My Skin)
“Notes on Sleepaway Camp” by Viet Dinh (on Sleepaway Camp)
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Seiten: | 312 |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781952177798 |
ISBN-10: | 1952177790 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Vallese, Joe |
Hersteller: | Feminist Press |
Maße: | 152 x 212 x 24 mm |
Von/Mit: | Joe Vallese |
Erscheinungsdatum: | 04.10.2022 |
Gewicht: | 0,484 kg |
Bruce Owens Grimm is a Pushcart-nominated, queer ghost-nerd based in Chicago. He is a coeditor of Fat and Queer: An Anthology of Queer and Trans Bodies and Lives. His essays and reviews have appeared in The Rumpus, Brevity’s Nonfiction Blog, Sweet: A Literary Confection, Entropy, AWP’s Writer’s Notebook, and elsewhere. He attended the 2021 Tin House Winter Workshop as well as residencies and workshops at The Fine Arts Work Center in Provincetown, Vermont Studio Center, and the Virginia Center for the Creative Arts (VCCA) among others.
INTRODUCTION
PART I: AN EXCELLENT DAY FOR AN EXORCISM
“A Demon-Girl’s Guide to Life” by S. Trimble (on The Exorcist)
“Both Ways” by Carmen Maria Machado (on Jennifer’s Body)
“My Hand on the Glass” by Bruce Owens Grimm (on Hereditary)
“The Girl, The Well, The Ring” by Zefyr Lisowski (on The Ring and Pet Sematary)
“Imprint” by Joe Vallese (on Grace)
PART II: MONSTER MASH
“Indescribable” by Carrow Narby (on The Blob)
“A Working Definition of the Monstrous” by Ryan Dzelzkalns (on Godzilla)
“The Wolf in the Room” by Prince Shakur (on Good Manners)
“Three Men on a Boat” by Jen Corrigan (on Jaws)
“The Wolf Man’s Daughter” by Tosha R. Taylor (on The Wolf Man)
PART III: FATAL ATTRACTIONS
“Twin/Skin” by Addie Tsai (on Dead Ringers)
“Loving Annie Hayworth” by Laura Maw (on The Birds)
“The Same Kind of Monster” by Jonathan Robbins Leon (on The Leech Woman)
“Centered and Seen” by Sumiko Saulson (on Candyman)
“Blood, Actually” by Grant Sutton (on Friday the 13th, part II)
PART IV: WHATEVER YOU DO, DON’T FALL ASLEEP
“The Trail of His Flames” by Tucker Lieberman (on The Nightmare on Elm Street)
“The Me in the Screen” by Steffan Triplett (on Us)
“Sight Unseen” by Spencer Williams (on The Blair Witch Project)
“Bad Hombre” by Sarah Fonseca (on Eres tú, papa?)
“Black Body Snatchers” by Samuel Autman (on Get Out)
PART V: FINAL CUTS
“Long Nights in the Dark” by Richard Scott Larson (on Halloween)
“On Beauty and Necrosis” by Sachiko Ragosta (on Eyes Without a Face)
“Good Guys, Dolls” by Will Stockton (on Child’s Play)
“The Healed Body” by Jude Ellison S. Doyle (on In My Skin)
“Notes on Sleepaway Camp” by Viet Dinh (on Sleepaway Camp)
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Seiten: | 312 |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781952177798 |
ISBN-10: | 1952177790 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Vallese, Joe |
Hersteller: | Feminist Press |
Maße: | 152 x 212 x 24 mm |
Von/Mit: | Joe Vallese |
Erscheinungsdatum: | 04.10.2022 |
Gewicht: | 0,484 kg |