Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
Byzantine 'iconoclasm' is famous and has influenced iconoclast movements from the English Reformation and French Revolution to Taliban, but it has also been woefully misunderstood: this book shows how and why the debate about images was more complicated, and more interesting, than it has been presented in the past. It explores how icons came to be so important, who opposed them, and how the debate about images played itself out over the years between c. 680 and 850. Many widely accepted assumptions about 'iconoclasm' - that it was an imperial initiative that resulted in widespread destruction of images, that the major promoters of icon veneration were monks, and that the era was one of cultural stagnation - are shown to be incorrect. Instead, the years of the image debates saw technological advances and intellectual shifts that, coupled with a growing economy, concluded with the emergence of medieval Byzantium as a strong and stable empire.
Byzantine 'iconoclasm' is famous and has influenced iconoclast movements from the English Reformation and French Revolution to Taliban, but it has also been woefully misunderstood: this book shows how and why the debate about images was more complicated, and more interesting, than it has been presented in the past. It explores how icons came to be so important, who opposed them, and how the debate about images played itself out over the years between c. 680 and 850. Many widely accepted assumptions about 'iconoclasm' - that it was an imperial initiative that resulted in widespread destruction of images, that the major promoters of icon veneration were monks, and that the era was one of cultural stagnation - are shown to be incorrect. Instead, the years of the image debates saw technological advances and intellectual shifts that, coupled with a growing economy, concluded with the emergence of medieval Byzantium as a strong and stable empire.
Über den Autor
Leslie Brubaker is Professor of Byzantine Art and Director of the Centre for Byzantine, Ottoman and Modern Greek Studies at the University of Birmingham, UK. She is the author of Vision and Meaning in Ninth-century Byzantium (1999), co-editor of Gender and the Transformation of the Roman World, 300-900 (2003) and Byzantium in the Iconoclast Era c. 680-850: a history (2011).
Zusammenfassung
Covers iconoclasm in relation to history, archaeology, cultural and social studies and the interfaces between them
Inhaltsverzeichnis

List of illustrations
Abbreviations
Preface and Acknowledgements
1. Introduction: what is Byzantine iconoclasm?
2. The background
3. The beginnings of the image struggle
4. Constantine V, the 754 synod and the imposition of an official anti-image policy
5. The iconophile intermission
6. The iconoclasts return
7. The 'triumph of orthodoxy' and the impact of the image crisis
8. Conclusions: the impact of iconomachy and the invention of 'iconoclasm'
Index

Details
Erscheinungsjahr: 2012
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
ISBN-13: 9781853997501
ISBN-10: 1853997501
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Brubaker, Leslie
Hersteller: Bloomsbury 3PL
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 8 mm
Von/Mit: Leslie Brubaker
Erscheinungsdatum: 10.05.2012
Gewicht: 0,243 kg
Artikel-ID: 132028620