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Beschreibung
Paul Badura-Skoda's text conveys a passion for an informed interpretation of Bach's music based upon a recognition and respect for Bach's musical and intellectual intentions. Copiously illustrated throughout with music examples, Interpreting Bach at the Keyboard will take its place as a standard work for all students and performers of Bach's keyboard music.
Paul Badura-Skoda's text conveys a passion for an informed interpretation of Bach's music based upon a recognition and respect for Bach's musical and intellectual intentions. Copiously illustrated throughout with music examples, Interpreting Bach at the Keyboard will take its place as a standard work for all students and performers of Bach's keyboard music.
Über den Autor
Professor Paul Badura-Skoda is a pianist and scholar.
Zusammenfassung
Indispensable for all students and performers of Bach's keyboard music
Inhaltsverzeichnis
- Abbreviations
- A note on terminology
- Part 1. General Problems of Interpretation
- 1: An authentic eighteenth- century performance source: C.F. Colt's organ-barrels
- 2: Studies in rhythm
- 3: In search of the correct Bach tempo
- 4: Bach's articulation
- 5: Dynamics
- 6: Problems of sonority
- 7: Problems of harpsichord and piano technique, and of expressive playing
- 8: The Urtext problem: An imaginary interview
- 9: Rendering the structure as a whole
- 10: Prelude in E flat minor and Fugue in D sharp minor, WTC I, BWV 853. An analysis for performance
- Part II. Studies in Ornamentation
- 11: Introduction
- 12: The development of ornamentation in the seventeenth and eighteenth centuries
- 13: J.S. Bach's ornaments: Some general remarks
- 14: Pralltriller
- 15: Appoggiaturas
- 16: The loner trill
- 17: Bach's mordent
- 18: Arpeggios
- 19: The application of ornaments that are not notated
- 20: Free embellishments in Bach's keyboard works
- 21: Epilogue
- Appendix 1. Some recommended editions of Bach's keyboard works
- Appendix 2. Some textual and interpretational problems in Bach's Chromatic Fantasia and Fugue, BWV 903
- Appendix 3. J.M. Gesner, 'Johann Sebastian Bach as conductor, keyboard player, and organist' (Göttingen, 1738)
- Appendix 4. Excerpt from the Article 'Takt' in J.G. Sulzer's Allgemeine Theorie der schónen Kunste, vol. ii (Leipzig, 1774)
- Appendix 5. The Dedication of Partita No. 1 (BWV 825) and the Dedicatory Poem
- Appendix 6. Friedrich Blume and Hans Joachim Moser
- Bibliography
- Index
Details
Erscheinungsjahr: | 1995 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Thema: | Musikalien |
Medium: | Taschenbuch |
Inhalt: | Buch |
ISBN-13: | 9780198165767 |
ISBN-10: | 0198165765 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Badura-Skoda, Paul |
Komponist: | Paul Badura-Skoda |
Übersetzung: | Clayton, Alfred |
Hersteller: | OUP Oxford |
Maße: | 229 x 152 x 35 mm |
Von/Mit: | Paul Badura-Skoda |
Erscheinungsdatum: | 01.08.1995 |
Gewicht: | 0,949 kg |
Über den Autor
Professor Paul Badura-Skoda is a pianist and scholar.
Zusammenfassung
Indispensable for all students and performers of Bach's keyboard music
Inhaltsverzeichnis
- Abbreviations
- A note on terminology
- Part 1. General Problems of Interpretation
- 1: An authentic eighteenth- century performance source: C.F. Colt's organ-barrels
- 2: Studies in rhythm
- 3: In search of the correct Bach tempo
- 4: Bach's articulation
- 5: Dynamics
- 6: Problems of sonority
- 7: Problems of harpsichord and piano technique, and of expressive playing
- 8: The Urtext problem: An imaginary interview
- 9: Rendering the structure as a whole
- 10: Prelude in E flat minor and Fugue in D sharp minor, WTC I, BWV 853. An analysis for performance
- Part II. Studies in Ornamentation
- 11: Introduction
- 12: The development of ornamentation in the seventeenth and eighteenth centuries
- 13: J.S. Bach's ornaments: Some general remarks
- 14: Pralltriller
- 15: Appoggiaturas
- 16: The loner trill
- 17: Bach's mordent
- 18: Arpeggios
- 19: The application of ornaments that are not notated
- 20: Free embellishments in Bach's keyboard works
- 21: Epilogue
- Appendix 1. Some recommended editions of Bach's keyboard works
- Appendix 2. Some textual and interpretational problems in Bach's Chromatic Fantasia and Fugue, BWV 903
- Appendix 3. J.M. Gesner, 'Johann Sebastian Bach as conductor, keyboard player, and organist' (Göttingen, 1738)
- Appendix 4. Excerpt from the Article 'Takt' in J.G. Sulzer's Allgemeine Theorie der schónen Kunste, vol. ii (Leipzig, 1774)
- Appendix 5. The Dedication of Partita No. 1 (BWV 825) and the Dedicatory Poem
- Appendix 6. Friedrich Blume and Hans Joachim Moser
- Bibliography
- Index
Details
Erscheinungsjahr: | 1995 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Thema: | Musikalien |
Medium: | Taschenbuch |
Inhalt: | Buch |
ISBN-13: | 9780198165767 |
ISBN-10: | 0198165765 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Badura-Skoda, Paul |
Komponist: | Paul Badura-Skoda |
Übersetzung: | Clayton, Alfred |
Hersteller: | OUP Oxford |
Maße: | 229 x 152 x 35 mm |
Von/Mit: | Paul Badura-Skoda |
Erscheinungsdatum: | 01.08.1995 |
Gewicht: | 0,949 kg |
Warnhinweis