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A major study of Ukrainian art from 1900 to the mid-1930s - with loans from major museums in Ukraine, elsewhere in Europe, the United States (including MoMA) and Israel.
In the Eye of the Storm presents the groundbreaking art produced in what is now Ukraine in the early 20th century - at a time when the country did not exist as the independent state it had previously been and is again today. The book will accompany an exhibition that will trace the artistic developments between 1900 and the mid-1930s, focusing on three key regional centres - Kharkiv, Kyiv and Odesa - against a complicated socio-political backdrop of collapsing empires, World War I, the Revolution with the ensuing civil war, and the creation of Soviet Ukraine. The publication will feature avant-garde art created in Ukraine from a Ukrainian perspective while acknowledging the complex geopolitical structures and identities within which it functioned: Ukrainian, Russian, Jewish and Polish. To highlight the dynamism and diversity of the artistic scene in these three cities during the period, the book will feature works in various media - from traditional oil paintings and drawings to collages, graphic and theatre designs, and cinema.
The book is highly topical in light of the ongoing invasion of Ukraine by Russia, which exploits cultural, historical and linguistic myths and stereotypes as the pretext for its violence.
In the Eye of the Storm presents the groundbreaking art produced in what is now Ukraine in the early 20th century - at a time when the country did not exist as the independent state it had previously been and is again today. The book will accompany an exhibition that will trace the artistic developments between 1900 and the mid-1930s, focusing on three key regional centres - Kharkiv, Kyiv and Odesa - against a complicated socio-political backdrop of collapsing empires, World War I, the Revolution with the ensuing civil war, and the creation of Soviet Ukraine. The publication will feature avant-garde art created in Ukraine from a Ukrainian perspective while acknowledging the complex geopolitical structures and identities within which it functioned: Ukrainian, Russian, Jewish and Polish. To highlight the dynamism and diversity of the artistic scene in these three cities during the period, the book will feature works in various media - from traditional oil paintings and drawings to collages, graphic and theatre designs, and cinema.
The book is highly topical in light of the ongoing invasion of Ukraine by Russia, which exploits cultural, historical and linguistic myths and stereotypes as the pretext for its violence.
A major study of Ukrainian art from 1900 to the mid-1930s - with loans from major museums in Ukraine, elsewhere in Europe, the United States (including MoMA) and Israel.
In the Eye of the Storm presents the groundbreaking art produced in what is now Ukraine in the early 20th century - at a time when the country did not exist as the independent state it had previously been and is again today. The book will accompany an exhibition that will trace the artistic developments between 1900 and the mid-1930s, focusing on three key regional centres - Kharkiv, Kyiv and Odesa - against a complicated socio-political backdrop of collapsing empires, World War I, the Revolution with the ensuing civil war, and the creation of Soviet Ukraine. The publication will feature avant-garde art created in Ukraine from a Ukrainian perspective while acknowledging the complex geopolitical structures and identities within which it functioned: Ukrainian, Russian, Jewish and Polish. To highlight the dynamism and diversity of the artistic scene in these three cities during the period, the book will feature works in various media - from traditional oil paintings and drawings to collages, graphic and theatre designs, and cinema.
The book is highly topical in light of the ongoing invasion of Ukraine by Russia, which exploits cultural, historical and linguistic myths and stereotypes as the pretext for its violence.
In the Eye of the Storm presents the groundbreaking art produced in what is now Ukraine in the early 20th century - at a time when the country did not exist as the independent state it had previously been and is again today. The book will accompany an exhibition that will trace the artistic developments between 1900 and the mid-1930s, focusing on three key regional centres - Kharkiv, Kyiv and Odesa - against a complicated socio-political backdrop of collapsing empires, World War I, the Revolution with the ensuing civil war, and the creation of Soviet Ukraine. The publication will feature avant-garde art created in Ukraine from a Ukrainian perspective while acknowledging the complex geopolitical structures and identities within which it functioned: Ukrainian, Russian, Jewish and Polish. To highlight the dynamism and diversity of the artistic scene in these three cities during the period, the book will feature works in various media - from traditional oil paintings and drawings to collages, graphic and theatre designs, and cinema.
The book is highly topical in light of the ongoing invasion of Ukraine by Russia, which exploits cultural, historical and linguistic myths and stereotypes as the pretext for its violence.
Über den Autor
Konstantin Akinsha is an independent art historian, curator and journalist. He received the George Polk award for cultural reporting in 1991. Akinsha's curatorial projects include 'Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917' (Neue Galerie, New York, 2015), 'Permanent Revolution: Ukrainian Art Today' (Ludwig Museum, Budapest, 2018) and 'Between Fire and Fire: Ukrainian Art Now' (Semperdepot, Akademie der bildenden Künste, Vienna, 2019). He is the founding director of the Avant-Garde Art Research Project (UK) and the author of several books, including Beautiful Loot: The Soviet Plunder of Europe's Art Treasures (1995).
Katia Denysova is a PhD candidate at the Courtauld Institute of Art, London. Her research investigates the influence of socio-political factors on early 20th-century art in Ukraine. She has contributed to the H-SHERA, ArtHist and Dash Arts podcast series, and the journals Arts, Art and the Public Sphere and immediations.
Olena Kashuba-Volvach heads the Department of 19th and early 20th-Century Art at the National Art Museum of Ukraine (NAMU). She holds a PhD in art history from the Institute of Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine and was the senior research fellow at the National Academy of Arts of Ukraine. She is the author of numerous articles and has published several books, including Oleksandr Bohomazov: A Self-Portrait (2012), The Ukrainian Academy of Art: A Brief History (2015) and Art Pages of the New Generation, 1927-1930 (2016). In 2019-20, Kashuba-Volvach curated the multi-venue exhibition Oleksandr Bohomazov: The Artistic Laboratory.
Katia Denysova is a PhD candidate at the Courtauld Institute of Art, London. Her research investigates the influence of socio-political factors on early 20th-century art in Ukraine. She has contributed to the H-SHERA, ArtHist and Dash Arts podcast series, and the journals Arts, Art and the Public Sphere and immediations.
Olena Kashuba-Volvach heads the Department of 19th and early 20th-Century Art at the National Art Museum of Ukraine (NAMU). She holds a PhD in art history from the Institute of Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine and was the senior research fellow at the National Academy of Arts of Ukraine. She is the author of numerous articles and has published several books, including Oleksandr Bohomazov: A Self-Portrait (2012), The Ukrainian Academy of Art: A Brief History (2015) and Art Pages of the New Generation, 1927-1930 (2016). In 2019-20, Kashuba-Volvach curated the multi-venue exhibition Oleksandr Bohomazov: The Artistic Laboratory.
Inhaltsverzeichnis
Foreword
Francesca Thyssen-Bornemisza
Acknowledgments
Introduction
Konstantin Akinsha
I. Kyiv
From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter
Katia Denysova
The Beginning: The First Avant-Garde Exhibitions in Ukraine
Olena Kashuba-Volvach
The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918-1922)
Hillel Kazovsky
Oleksandr Bohomazov: The Ukrainian Version of Futurism
Olena Kashuba-Volvach
Boichukism
Myroslava M. Mudrak
Bauhaus on the Banks of the Dnipro
Olena Kashuba-Volvach
II: Kharkiv
The Tragic Sensuality of the Kharkiv Avant-Garde
Tetiana Zhmurko
Constructor Vasyl Yermilov: A Captive of the Material World
Konstantin Akinsha
Visual and Spatial Experiments in Ukrainian Scenography of the 1920s
Olena Kovalchuk
Ivan Kavaleridze: Searching for the Hero of the New Age
Oksana Barshynova
Nova heneratsiia (1927-1930)
Myroslava M. Mudrak
III. Odesa
The Odesa Society of Independent Artists
Olha Barkovska
From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s
Ivan Kozlenko
IV. Aftermath
In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928
Olena Kashuba-Volvach & Maryna Drobotiuk
The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné
Katia Denysova
From Oblivion to Glory: Spetsfond or The Special Secret Holding
Yuliia Lytvynets
Plates
Authors' Biographies
Picture Credits
Index
Francesca Thyssen-Bornemisza
Acknowledgments
Introduction
Konstantin Akinsha
I. Kyiv
From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter
Katia Denysova
The Beginning: The First Avant-Garde Exhibitions in Ukraine
Olena Kashuba-Volvach
The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918-1922)
Hillel Kazovsky
Oleksandr Bohomazov: The Ukrainian Version of Futurism
Olena Kashuba-Volvach
Boichukism
Myroslava M. Mudrak
Bauhaus on the Banks of the Dnipro
Olena Kashuba-Volvach
II: Kharkiv
The Tragic Sensuality of the Kharkiv Avant-Garde
Tetiana Zhmurko
Constructor Vasyl Yermilov: A Captive of the Material World
Konstantin Akinsha
Visual and Spatial Experiments in Ukrainian Scenography of the 1920s
Olena Kovalchuk
Ivan Kavaleridze: Searching for the Hero of the New Age
Oksana Barshynova
Nova heneratsiia (1927-1930)
Myroslava M. Mudrak
III. Odesa
The Odesa Society of Independent Artists
Olha Barkovska
From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s
Ivan Kozlenko
IV. Aftermath
In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928
Olena Kashuba-Volvach & Maryna Drobotiuk
The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné
Katia Denysova
From Oblivion to Glory: Spetsfond or The Special Secret Holding
Yuliia Lytvynets
Plates
Authors' Biographies
Picture Credits
Index
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9780500297155 |
| ISBN-10: | 0500297150 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: |
Akinsha, Konstantin
Denysova, Katia |
| Redaktion: |
Akinsha, Konstantin
Denysova, Katia Kashuba-Volvach, Olena |
| Hersteller: | Thames & Hudson |
| Abbildungen: | 221 Illustrations, color |
| Maße: | 286 x 250 x 26 mm |
| Von/Mit: | Konstantin Akinsha (u. a.) |
| Erscheinungsdatum: | 15.11.2022 |
| Gewicht: | 1,604 kg |
Über den Autor
Konstantin Akinsha is an independent art historian, curator and journalist. He received the George Polk award for cultural reporting in 1991. Akinsha's curatorial projects include 'Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917' (Neue Galerie, New York, 2015), 'Permanent Revolution: Ukrainian Art Today' (Ludwig Museum, Budapest, 2018) and 'Between Fire and Fire: Ukrainian Art Now' (Semperdepot, Akademie der bildenden Künste, Vienna, 2019). He is the founding director of the Avant-Garde Art Research Project (UK) and the author of several books, including Beautiful Loot: The Soviet Plunder of Europe's Art Treasures (1995).
Katia Denysova is a PhD candidate at the Courtauld Institute of Art, London. Her research investigates the influence of socio-political factors on early 20th-century art in Ukraine. She has contributed to the H-SHERA, ArtHist and Dash Arts podcast series, and the journals Arts, Art and the Public Sphere and immediations.
Olena Kashuba-Volvach heads the Department of 19th and early 20th-Century Art at the National Art Museum of Ukraine (NAMU). She holds a PhD in art history from the Institute of Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine and was the senior research fellow at the National Academy of Arts of Ukraine. She is the author of numerous articles and has published several books, including Oleksandr Bohomazov: A Self-Portrait (2012), The Ukrainian Academy of Art: A Brief History (2015) and Art Pages of the New Generation, 1927-1930 (2016). In 2019-20, Kashuba-Volvach curated the multi-venue exhibition Oleksandr Bohomazov: The Artistic Laboratory.
Katia Denysova is a PhD candidate at the Courtauld Institute of Art, London. Her research investigates the influence of socio-political factors on early 20th-century art in Ukraine. She has contributed to the H-SHERA, ArtHist and Dash Arts podcast series, and the journals Arts, Art and the Public Sphere and immediations.
Olena Kashuba-Volvach heads the Department of 19th and early 20th-Century Art at the National Art Museum of Ukraine (NAMU). She holds a PhD in art history from the Institute of Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine and was the senior research fellow at the National Academy of Arts of Ukraine. She is the author of numerous articles and has published several books, including Oleksandr Bohomazov: A Self-Portrait (2012), The Ukrainian Academy of Art: A Brief History (2015) and Art Pages of the New Generation, 1927-1930 (2016). In 2019-20, Kashuba-Volvach curated the multi-venue exhibition Oleksandr Bohomazov: The Artistic Laboratory.
Inhaltsverzeichnis
Foreword
Francesca Thyssen-Bornemisza
Acknowledgments
Introduction
Konstantin Akinsha
I. Kyiv
From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter
Katia Denysova
The Beginning: The First Avant-Garde Exhibitions in Ukraine
Olena Kashuba-Volvach
The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918-1922)
Hillel Kazovsky
Oleksandr Bohomazov: The Ukrainian Version of Futurism
Olena Kashuba-Volvach
Boichukism
Myroslava M. Mudrak
Bauhaus on the Banks of the Dnipro
Olena Kashuba-Volvach
II: Kharkiv
The Tragic Sensuality of the Kharkiv Avant-Garde
Tetiana Zhmurko
Constructor Vasyl Yermilov: A Captive of the Material World
Konstantin Akinsha
Visual and Spatial Experiments in Ukrainian Scenography of the 1920s
Olena Kovalchuk
Ivan Kavaleridze: Searching for the Hero of the New Age
Oksana Barshynova
Nova heneratsiia (1927-1930)
Myroslava M. Mudrak
III. Odesa
The Odesa Society of Independent Artists
Olha Barkovska
From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s
Ivan Kozlenko
IV. Aftermath
In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928
Olena Kashuba-Volvach & Maryna Drobotiuk
The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné
Katia Denysova
From Oblivion to Glory: Spetsfond or The Special Secret Holding
Yuliia Lytvynets
Plates
Authors' Biographies
Picture Credits
Index
Francesca Thyssen-Bornemisza
Acknowledgments
Introduction
Konstantin Akinsha
I. Kyiv
From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter
Katia Denysova
The Beginning: The First Avant-Garde Exhibitions in Ukraine
Olena Kashuba-Volvach
The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918-1922)
Hillel Kazovsky
Oleksandr Bohomazov: The Ukrainian Version of Futurism
Olena Kashuba-Volvach
Boichukism
Myroslava M. Mudrak
Bauhaus on the Banks of the Dnipro
Olena Kashuba-Volvach
II: Kharkiv
The Tragic Sensuality of the Kharkiv Avant-Garde
Tetiana Zhmurko
Constructor Vasyl Yermilov: A Captive of the Material World
Konstantin Akinsha
Visual and Spatial Experiments in Ukrainian Scenography of the 1920s
Olena Kovalchuk
Ivan Kavaleridze: Searching for the Hero of the New Age
Oksana Barshynova
Nova heneratsiia (1927-1930)
Myroslava M. Mudrak
III. Odesa
The Odesa Society of Independent Artists
Olha Barkovska
From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s
Ivan Kozlenko
IV. Aftermath
In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928
Olena Kashuba-Volvach & Maryna Drobotiuk
The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné
Katia Denysova
From Oblivion to Glory: Spetsfond or The Special Secret Holding
Yuliia Lytvynets
Plates
Authors' Biographies
Picture Credits
Index
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9780500297155 |
| ISBN-10: | 0500297150 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: |
Akinsha, Konstantin
Denysova, Katia |
| Redaktion: |
Akinsha, Konstantin
Denysova, Katia Kashuba-Volvach, Olena |
| Hersteller: | Thames & Hudson |
| Abbildungen: | 221 Illustrations, color |
| Maße: | 286 x 250 x 26 mm |
| Von/Mit: | Konstantin Akinsha (u. a.) |
| Erscheinungsdatum: | 15.11.2022 |
| Gewicht: | 1,604 kg |
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