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"A fascinating glimpse into the mind of Pierre Schaeffer, the creator of the very first kind of electroacoustic music, the Concrete music, here in a stellar translation. In this diary combined with musical considerations, Schaeffer gives the necessary keys and invites the reader to follow, step by step, how Concrete music became a major trend of the twentieth century." --Marc Battier, Professor of Musicology, University Paris-Sorbonne
"Pierre Schaeffer's writings are fundamental to our understanding of twentieth-century music in general and all the sound arts that use technology. This book reveals a truly experimental journey with its detours and frustrations--yet with determination, dazzling imagination and insight, Schaeffer pieces together a coherent and radical theory of music made through sound as perceived. Christine North and John Dack's translation brilliantly captures Schaeffer's painstaking reinvention of the vocabulary of music." --Simon Emmerson, Professor of Music, Technology, and Innovation, De Montfort University
"A fascinating glimpse into the mind of Pierre Schaeffer, the creator of the very first kind of electroacoustic music, the Concrete music, here in a stellar translation. In this diary combined with musical considerations, Schaeffer gives the necessary keys and invites the reader to follow, step by step, how Concrete music became a major trend of the twentieth century." --Marc Battier, Professor of Musicology, University Paris-Sorbonne
"Pierre Schaeffer's writings are fundamental to our understanding of twentieth-century music in general and all the sound arts that use technology. This book reveals a truly experimental journey with its detours and frustrations--yet with determination, dazzling imagination and insight, Schaeffer pieces together a coherent and radical theory of music made through sound as perceived. Christine North and John Dack's translation brilliantly captures Schaeffer's painstaking reinvention of the vocabulary of music." --Simon Emmerson, Professor of Music, Technology, and Innovation, De Montfort University
| Erscheinungsjahr: | 2012 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Seiten: | 244 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780520265745 |
| ISBN-10: | 0520265742 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Schaeffer, Pierre |
| Übersetzung: |
North, Christine
Dack, John |
| Hersteller: | University of California Press |
| Maße: | 228 x 151 x 20 mm |
| Von/Mit: | Pierre Schaeffer |
| Erscheinungsdatum: | 26.11.2012 |
| Gewicht: | 0,337 kg |
| Erscheinungsjahr: | 2012 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Seiten: | 244 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780520265745 |
| ISBN-10: | 0520265742 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Schaeffer, Pierre |
| Übersetzung: |
North, Christine
Dack, John |
| Hersteller: | University of California Press |
| Maße: | 228 x 151 x 20 mm |
| Von/Mit: | Pierre Schaeffer |
| Erscheinungsdatum: | 26.11.2012 |
| Gewicht: | 0,337 kg |
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