This book investigates the topic of human imagery and hybrid human imagery rendered on metalwork of early Anglo-Saxon date recovered within eastern England (Cambridgeshire, Lincolnshire, Suffolk and Norfolk), AD 400-680. It presents the first definitive catalogue of its kind for this region and timeframe. Taking inspiration from recent transitions in thinking on early medieval mortuary archaeology and art, the author considers such topics as the interrelationship between image, object and the user, the changing portrayal of human representation and the social implications of such developments and the emergence of new bodily gestures in representational art. These key themes may provide an understanding of how and why human imagery changed as it did, how and by whom it was deployed in life and death and the role that this type of imagery performed in the construction and presentation of social identity.