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Beschreibung
A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system.
Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie.
The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie.
The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system.
Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie.
The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie.
The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
Über den Autor
Jane Allen; edited and with an introduction by J.E. Smyth
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Romane & Erzählungen |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781984897763 |
ISBN-10: | 1984897764 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: |
Allen, Jane
Smyth, J E |
Hersteller: | Knopf Doubleday Publishing Group |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 206 x 134 x 22 mm |
Von/Mit: | Jane Allen (u. a.) |
Erscheinungsdatum: | 05.11.2019 |
Gewicht: | 0,244 kg |
Über den Autor
Jane Allen; edited and with an introduction by J.E. Smyth
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Romane & Erzählungen |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781984897763 |
ISBN-10: | 1984897764 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: |
Allen, Jane
Smyth, J E |
Hersteller: | Knopf Doubleday Publishing Group |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 206 x 134 x 22 mm |
Von/Mit: | Jane Allen (u. a.) |
Erscheinungsdatum: | 05.11.2019 |
Gewicht: | 0,244 kg |
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