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Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.
Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.
Nate Plageman is Assistant Professor of History at Wake Forest University.
Acknowledgements
Ethnomusicology Multimedia Series Preface
Introduction: The Historical Importance of Urban Ghana's Saturday Nights
1. Popular Music, Political Authority, and Social Possibilities in the Southern Gold Coast, 1890-1940
2. The Making of a Middle Class: Urban Social Clubs and the Evolution of Highlife Music, 1915-1940
3. The Friction on the Floor: Negotiating Nightlife in Accra, 1940-1960
4. "The Highlife was Born in Ghana": Politics, Culture, and the Making of a National Music, 1950-1965
5. "We Were the Ones Who Composed the Songs": The Promises and Pitfalls of Being a Bandsman, 1945-1970
Epilogue
Glossary
Notes
Discography
Bibliography
Index
| Erscheinungsjahr: | 2012 |
|---|---|
| Genre: | Geschichte, Importe |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Reihe: | Indiana University Press (IPS) |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780253007292 |
| ISBN-10: | 0253007291 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Plageman, Nathan
Plageman, Nate |
| Hersteller: |
Indiana University Press
Indiana University Press (IPS) |
| Verantwortliche Person für die EU: | Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk |
| Maße: | 229 x 152 x 18 mm |
| Von/Mit: | Nathan Plageman (u. a.) |
| Erscheinungsdatum: | 19.12.2012 |
| Gewicht: | 0,488 kg |
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