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Haydn, the Creation
Taschenbuch von Nicholas Temperley
Sprache: Englisch

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Beschreibung
Haydn's Creation is one of the great masterpieces of the classical period. This absorbing and original account of the work provides an indispensable guide for the concert-goer, performer and student alike.
The author places the work within the oratorio tradition, bearing in mind its intended early audiences in both Austria and England, and he contrasts the theological and literary character of the English libretto with the Viennese milieu of the first performances.
The complete text is provided in both English and German versions as a reference point for discussion of the design of the work and the musical treatment of the words, including questions of Haydn's pictorialism. A more detailed musical chapter examines the work through the movement types it employs -- arias and ensembles, recitatives and choruses -- distinguishing the Handelian model from Haydn's own classical idiom.
Nicholas Temperley also discusses the changing performance traditions of this work and surveys the critical reception throughout its history. In a useful appendix he quotes from the most significant critical literature of the nineteenth and twentieth centuries.
Haydn's Creation is one of the great masterpieces of the classical period. This absorbing and original account of the work provides an indispensable guide for the concert-goer, performer and student alike.
The author places the work within the oratorio tradition, bearing in mind its intended early audiences in both Austria and England, and he contrasts the theological and literary character of the English libretto with the Viennese milieu of the first performances.
The complete text is provided in both English and German versions as a reference point for discussion of the design of the work and the musical treatment of the words, including questions of Haydn's pictorialism. A more detailed musical chapter examines the work through the movement types it employs -- arias and ensembles, recitatives and choruses -- distinguishing the Handelian model from Haydn's own classical idiom.
Nicholas Temperley also discusses the changing performance traditions of this work and surveys the critical reception throughout its history. In a useful appendix he quotes from the most significant critical literature of the nineteenth and twentieth centuries.
Inhaltsverzeichnis
Foreword; 1. Background; 2. Theology; 3. The libretto; 4. Composition, performance and reception; 5. Design of the work; 6. Musical analysis; 7. Excerpts from critical essays; Appendices; Footnotes; Bibliography; Index.
Details
Erscheinungsjahr: 1991
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 144
Inhalt: Buch
ISBN-13: 9780521378659
ISBN-10: 0521378656
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Temperley, Nicholas
Hersteller: Cambridge University Press
Maße: 216 x 140 x 9 mm
Von/Mit: Nicholas Temperley
Erscheinungsdatum: 19.08.1991
Gewicht: 0,191 kg
preigu-id: 101148394
Inhaltsverzeichnis
Foreword; 1. Background; 2. Theology; 3. The libretto; 4. Composition, performance and reception; 5. Design of the work; 6. Musical analysis; 7. Excerpts from critical essays; Appendices; Footnotes; Bibliography; Index.
Details
Erscheinungsjahr: 1991
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 144
Inhalt: Buch
ISBN-13: 9780521378659
ISBN-10: 0521378656
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Temperley, Nicholas
Hersteller: Cambridge University Press
Maße: 216 x 140 x 9 mm
Von/Mit: Nicholas Temperley
Erscheinungsdatum: 19.08.1991
Gewicht: 0,191 kg
preigu-id: 101148394
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