Lin Jiang, Ph.D. in Translation from Nanjing University, is currently a professor and master's supervisor at Sichuan International Studies University. In addition, he serves as the vice president of Zhejiang Translators Association, an expert member of Translators Association of China, the executive vice president of International Association for Interdisciplinary Humanities and Social Sciences Research, and the editor in chief of Asia-Pacific Journal of Humanities and Social Sciences. His academic interest lies in translation theory and practice. He has conducted a number of high-level research projects, published over 20 books and more than 60 academic articles, and edited four book series. As a translator, he has published so far a number of translated articles and works with a total of more than 2.6 million words.

Provides critical analysis on Mo Yan's novels from the top Chinese scholars

Presents the most enlightening research findings on Mo Yan and his novels

Covers a large range of topics and Mo Yan's most popular novels

Chapter 1. Mo Yan and the Chinese Spirit.- Chapter 2. Originality and Transcendence: What Mo Yan Has Enlightened Us.- Chapter 3. Hallucination, Localisation and Folk Narrative Tradition: Mo Yan and Literary Criticism.- Chapter 4. Folkness and Literature: The Chinese Experience in Mo Yan's Narratives.- Chapter 5. Mnemonics: Intergenerational Metaphor, Ideological Fantasy, and Memory Field: A Reading of Mo Yan's The Transparent Carrot.- Chapter 6. Childhood Narrative: The Richness of Meaning in Reinterpretation of Mo Yan's The Transparent Carrot.- Chapter 7. Samsara, Violence and Satire: A Discussion of the Absurd Narration in Mo Yan's Life and Death Are Wearing Me Out.- Chapter 8. The Carnivalesque Narrative of the Devil Dance: Mo Yan's Narrative Characteristics in Red Sorghum Clan.- Chapter 9. The History of the Image: A Discussion of Gains and Losses in Mo Yan's Red Sorghum Clan.- Chapter 10. Is Big Breasts and Wide Hipsan 'Almost Reactionary Work'? Comments on the Conceptions and Methods of Mr. He Guorui's Literary Criticism.- Chapter 11. The Fact and Fable in The Republic of Wine: About Mo Yan's Narrative Strategies.- Chapter 12. Elegy of History and the Swan Song of Life: A Discussion of Mo Yan's New Novel Sandalwood Death.- Chapter 13. 'Biopolitics' and Historical Writing: A Discussion of Mo Yan's Frog.- Chapter 14. Mo Yan and William Faulkner: Construction and Interpretation of Folk Mythology.