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Beschreibung
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique.
Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique.
Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Inhaltsverzeichnis
The Gumoil Method and Its Origins; Images That Work, Images That Don't ; Enlarged Positive and Negative Transparencies; Paper and Paper Preparation ; Exposure and Development of the Latent Paper Print; Basic Monochromatic Printing; Polychromatic Gumoil Printing; Variations and Manipulations; Other Considerations; Digital Printmaking
Details
Medium: | Taschenbuch |
---|---|
ISBN-13: | 9780240803678 |
ISBN-10: | 0240803671 |
Sprache: | Englisch |
Autor: | Koenig, Karl |
Hersteller: |
Routledge
Taylor & Francis |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 10 x 156 x 234 mm |
Von/Mit: | Karl Koenig |
Gewicht: | 0,388 kg |
Inhaltsverzeichnis
The Gumoil Method and Its Origins; Images That Work, Images That Don't ; Enlarged Positive and Negative Transparencies; Paper and Paper Preparation ; Exposure and Development of the Latent Paper Print; Basic Monochromatic Printing; Polychromatic Gumoil Printing; Variations and Manipulations; Other Considerations; Digital Printmaking
Details
Medium: | Taschenbuch |
---|---|
ISBN-13: | 9780240803678 |
ISBN-10: | 0240803671 |
Sprache: | Englisch |
Autor: | Koenig, Karl |
Hersteller: |
Routledge
Taylor & Francis |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 10 x 156 x 234 mm |
Von/Mit: | Karl Koenig |
Gewicht: | 0,388 kg |
Sicherheitshinweis