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Beschreibung
This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski's (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski's (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
Inhaltsverzeichnis
1. Introduction.- 2. The Aristotelian Legacy.- 3. The Stanislavski Legacy.- 4. Acting Sound.- 5. Acting Myth.- 6. Acting Space.- 7. Acting Chorus.- 8. Conclusions.
Details
Erscheinungsjahr: 2019
Genre: Geisteswissenschaften, Kunst, Musik
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: IX
237 S.
1 s/w Illustr.
ISBN-13: 9783030403874
ISBN-10: 3030403874
Sprache: Englisch
Herstellernummer: 978-3-030-40387-4
Einband: Kartoniert / Broschiert
Autor: Dunbar, Zachary
Harrop, Stephe
Auflage: 1st ed. 2018
Hersteller: Springer, Berlin
Palgrave Macmillan
Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com
Abbildungen: 1 SW-Abb.
Maße: 13 x 148 x 16 mm
Von/Mit: Zachary Dunbar (u. a.)
Erscheinungsdatum: 04.12.2019
Gewicht: 0,326 kg
Artikel-ID: 117925767

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