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Flow, Gesture, and Spaces in Free Jazz
Towards a Theory of Collaboration
Buch von Paul B. Cherlin (u. a.)
Sprache: Englisch

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Beschreibung
Let¿s try to play the music and not the background. Ornette Coleman, liner notes of the LP ¿Free Jazz¿ [20] WhenIbegantocreateacourseonfreejazz,theriskofsuchanenterprise was immediately apparent: I knew that Cecil Taylor had failed to teach such a matter, and that for other, more academic instructors, the topic was still a sort of outlandish adventure. To be clear, we are not talking about tea- ing improvisation here¿a di?erent, and also problematic, matter¿rather, we wish to create a scholarly discourse about free jazz as a cultural achievement, and follow its genealogy from the American jazz tradition through its various outbranchings,suchastheEuropeanandJapanesejazzconceptionsandint- pretations. We also wish to discuss some of the underlying mechanisms that are extant in free improvisation, things that could be called technical aspects. Such a discourse bears the ?avor of a contradicto in adjecto:Teachingthe unteachable, the very negation of rules, above all those posited by white jazz theorists, and talking about the making of sounds without aiming at so-called factual results and all those intellectual sedimentations: is this not a suicidal topic? My own endeavors as a free jazz pianist have informed and advanced my conviction that this art has never been theorized in a satisfactory way, not even by Ekkehard Jost in his unequaled, phenomenologically precise p- neering book ¿Free Jazz¿ [57].
Let¿s try to play the music and not the background. Ornette Coleman, liner notes of the LP ¿Free Jazz¿ [20] WhenIbegantocreateacourseonfreejazz,theriskofsuchanenterprise was immediately apparent: I knew that Cecil Taylor had failed to teach such a matter, and that for other, more academic instructors, the topic was still a sort of outlandish adventure. To be clear, we are not talking about tea- ing improvisation here¿a di?erent, and also problematic, matter¿rather, we wish to create a scholarly discourse about free jazz as a cultural achievement, and follow its genealogy from the American jazz tradition through its various outbranchings,suchastheEuropeanandJapanesejazzconceptionsandint- pretations. We also wish to discuss some of the underlying mechanisms that are extant in free improvisation, things that could be called technical aspects. Such a discourse bears the ?avor of a contradicto in adjecto:Teachingthe unteachable, the very negation of rules, above all those posited by white jazz theorists, and talking about the making of sounds without aiming at so-called factual results and all those intellectual sedimentations: is this not a suicidal topic? My own endeavors as a free jazz pianist have informed and advanced my conviction that this art has never been theorized in a satisfactory way, not even by Ekkehard Jost in his unequaled, phenomenologically precise p- neering book ¿Free Jazz¿ [57].
Zusammenfassung

Includes supplementary material: [...]

Inhaltsverzeichnis
Getting off Ground.- What Is Free Jazz?.- Jazz in Transition.- The Landscape of Free Jazz.- Out of this World.- The Art of Collaboration.- Collaborative Spaces in Free Jazz.- Which Collaboratories?.- The Innards of Time.- Gestural Creativity.- Gestures: From Philosophy to Thought Experiments.- Geometry of Gestures.- The Escher Theorem and Gestural Creativity in Free Jazz.- What Group Flow Generates.- What Is Flow?.- The Symbolic Axis of Distributed Identity.- Epilogue.- From Pre-to Postproduction: The Infinite Listening.- Global Strategies for Free Jazz.- The Future of Free Jazz.
Details
Erscheinungsjahr: 2009
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Buch
Seiten: 156
Reihe: Computational Music Science
Inhalt: xiii
141 S.
ISBN-13: 9783540921943
ISBN-10: 354092194X
Sprache: Englisch
Herstellernummer: 12552924
Ausstattung / Beilage: HC runder Rücken kaschiert
Einband: Gebunden
Autor: Cherlin, Paul B.
Mazzola, Guerino
Auflage: 2009
Hersteller: Springer Berlin
Springer Berlin Heidelberg
Computational Music Science
Maße: 241 x 160 x 15 mm
Von/Mit: Paul B. Cherlin (u. a.)
Erscheinungsdatum: 12.01.2009
Gewicht: 0,407 kg
preigu-id: 101691335
Zusammenfassung

Includes supplementary material: [...]

Inhaltsverzeichnis
Getting off Ground.- What Is Free Jazz?.- Jazz in Transition.- The Landscape of Free Jazz.- Out of this World.- The Art of Collaboration.- Collaborative Spaces in Free Jazz.- Which Collaboratories?.- The Innards of Time.- Gestural Creativity.- Gestures: From Philosophy to Thought Experiments.- Geometry of Gestures.- The Escher Theorem and Gestural Creativity in Free Jazz.- What Group Flow Generates.- What Is Flow?.- The Symbolic Axis of Distributed Identity.- Epilogue.- From Pre-to Postproduction: The Infinite Listening.- Global Strategies for Free Jazz.- The Future of Free Jazz.
Details
Erscheinungsjahr: 2009
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Buch
Seiten: 156
Reihe: Computational Music Science
Inhalt: xiii
141 S.
ISBN-13: 9783540921943
ISBN-10: 354092194X
Sprache: Englisch
Herstellernummer: 12552924
Ausstattung / Beilage: HC runder Rücken kaschiert
Einband: Gebunden
Autor: Cherlin, Paul B.
Mazzola, Guerino
Auflage: 2009
Hersteller: Springer Berlin
Springer Berlin Heidelberg
Computational Music Science
Maße: 241 x 160 x 15 mm
Von/Mit: Paul B. Cherlin (u. a.)
Erscheinungsdatum: 12.01.2009
Gewicht: 0,407 kg
preigu-id: 101691335
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