Victoria Horne is Senior Lecturer in Art & Design History at Northumbria University, UK. She was previously Teaching Fellow at the University of Edinburgh and Paul Mellon Centre Postdoctoral Fellow. Horne has published articles in Feminist Review, Radical Philosophy and Journal of Visual Culture. She established the Writing Feminist Art Histories research initiative in 2012 and edited a special issue of Women: A Cultural Review?on the theme 'Danger! Women Reading: Feminist Encounters with Art, History and Theory' in 2019.

Lara Perry is Associate Dean for Education & Student Experience in the School of Humanities & Social Science at the University of Brighton, UK. She is the author of History's Beauties: Women and the National Portrait Gallery, 1856-1900 (2006) and co-editor of English Art, 1860-1914: Modern Artists and Identity (2000, with David Peters Corbett) and Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions (2013, with Angela Dimitrakaki).

Offers a broad overview of the trajectories of 21st-century art historical thought (materialist, museological and global), as well as the various local and global issues influencing feminist art historical enquiry in the present day

List of Illustrations
Notes on Contributors
Acknowledgements

Introduction: Feminism and Art History Now Victoria Horne and Lara Perry

PART I. WRITING | SPEAKING | STORYTELLING
1. An Unfinished Revolution in Art Historiography, or How to Write a Feminist Art History Victoria Horne and Amy Tobin
2. I Want a Dyke for President: Sounding out Zoe Leonard's Manifesto for Art History's Feminist Futures Laura Guy
3. 'Our Stories Are Our Life Blood': Indigenous Feminist Memory and Storytelling as Strategy for Social Change Cherry Smiley

PART II. VISIBILITY | INTERVENTION | REFUSAL
4. Making Visible Lee Krasner's Occupation: Feminist Art Historiography and the Pollock-Krasner Studio Andrew Hardman
5. Challenging Feminist Art History: Carla Lonzi's Divergent Paths Giovanna Zapperi
6. This Moment: A Dialogue on Participation, Refusal and History Making Angela Dimitrakaki and Lara Perry

PART III. SPATIALITY | OCCUPATION | HOME
7. The Salon Model: The Conversational Complex Elke Krasny
8. Los Angeles, 1972/Glasgow, 1990: A Report on Castlemilk Womanhouse Hannah Hamblin
9. If You Lived Here.: A Case Study on Social Reproduction in Feminist Art History Kirsten Lloyd

PART IV. TEMPORALITY | GHOSTS | RETURNS
10. Temporalities of the 'Feminaissance' Francesco Ventrella
11. Gestures of Inclusion, Bodily Damage and the Hauntings of Exploitation in Global Feminisms (2007) Kimberly Lamm
12. Learning and Playing: Re-enacting Feminist Histories Catherine Grant

Index