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Beschreibung
"A prodigious feat of research, Feel the Floor is an act of redress that restores Bradley’s life and legacy.… Fresh interviews with still enchanted former students give us a window onto a man who moved so beautifully that it brought people to tears."—The New Yorker

“What Footer does, and smartly, while winding the 20th century’s pop and socio-culturalism into a neat, critically rhapsodic ball, is remind audiences that Bradley did it all, and did it first.”Jazz Times

A stunning resurrection of the visionary choreographer Buddy Bradley whose contributions to rhythm tap and jazz dance in the 1920s and ’30s indelibly transformed the way we move to music


In Feel the Floor, Maureen Footer shows how Bradley’s revolutionary moves electrified Broadway in the 1920s and conquered London’s West End in the 1930s, introducing new inflections to the era’s tap and jazz dance.

His experiments in rhythm and staging would anticipate bebop, and his influence even permeated classical dance, cross-pollinating with ballet choreographers like Frederick Ashton and George Balanchine.

Mirroring today’s fight for recognition of Black contributors to transatlantic culture, Buddy Bradley’s story isn’t just one of influence. He created the movement language we still speak today.

The white performers Bradley taught to move became legends: Eleanor Powell, Ruby Keeler, Adele Astaire, Jessie Matthews. Bradley was also the first to fuse movement, character, and narrative in the theater, setting the stage for the integrated book musical and the careers of Agnes de Mille, Bob Fosse, and Jerome Robbins.

In post-war Great Britain, as Black American dancers and jazz musicians flocked to London (and a congenial base at Bradley’s dance school), he danced and choreographed with Baby Laurence, Pete Nugent, Frankie Manning, and Mabel Lee, among others.

Footer spent five years in prodigious research, crossing two continents, tracking ancestral history in the Deep South, and enlisting private investigators to uncover Bradley’s buried legacy.

Feel the Floor corrects the false narratives that have erased Bradley’s influence, revealing how one man’s genius transformed musical theater, shaped modern ballet, and rewired the very DNA of American dance.
"A prodigious feat of research, Feel the Floor is an act of redress that restores Bradley’s life and legacy.… Fresh interviews with still enchanted former students give us a window onto a man who moved so beautifully that it brought people to tears."—The New Yorker

“What Footer does, and smartly, while winding the 20th century’s pop and socio-culturalism into a neat, critically rhapsodic ball, is remind audiences that Bradley did it all, and did it first.”Jazz Times

A stunning resurrection of the visionary choreographer Buddy Bradley whose contributions to rhythm tap and jazz dance in the 1920s and ’30s indelibly transformed the way we move to music


In Feel the Floor, Maureen Footer shows how Bradley’s revolutionary moves electrified Broadway in the 1920s and conquered London’s West End in the 1930s, introducing new inflections to the era’s tap and jazz dance.

His experiments in rhythm and staging would anticipate bebop, and his influence even permeated classical dance, cross-pollinating with ballet choreographers like Frederick Ashton and George Balanchine.

Mirroring today’s fight for recognition of Black contributors to transatlantic culture, Buddy Bradley’s story isn’t just one of influence. He created the movement language we still speak today.

The white performers Bradley taught to move became legends: Eleanor Powell, Ruby Keeler, Adele Astaire, Jessie Matthews. Bradley was also the first to fuse movement, character, and narrative in the theater, setting the stage for the integrated book musical and the careers of Agnes de Mille, Bob Fosse, and Jerome Robbins.

In post-war Great Britain, as Black American dancers and jazz musicians flocked to London (and a congenial base at Bradley’s dance school), he danced and choreographed with Baby Laurence, Pete Nugent, Frankie Manning, and Mabel Lee, among others.

Footer spent five years in prodigious research, crossing two continents, tracking ancestral history in the Deep South, and enlisting private investigators to uncover Bradley’s buried legacy.

Feel the Floor corrects the false narratives that have erased Bradley’s influence, revealing how one man’s genius transformed musical theater, shaped modern ballet, and rewired the very DNA of American dance.
Über den Autor
Maureen Footer is author of George Stacey and the Creation of American Chic and Dior and His Decorators: Victor Grandpierre, Georges Geffroy, and the New Look. Her books have been reviewed in The Financial Times, Forbes, the Times Literary Supplement, Vogue, Wall Street Journal, and Vanity Fair, among others. Ms. Footer sits on the boards of the New York City Ballet and the Jerome Robbins Dance Division of the New York Public Library, the preeminent dance research institution in the world. She can be found today studying tap in dance studios and dancing to African drums in the East Village.
Inhaltsverzeichnis
Introduction

PART 1: SOUTHERN RHYTHMS, 1838–1920

CHAPTER 1
Ancestral Whispers

CHAPTER 2
Fathers and Sons in the Black Belt of Alabama

CHAPTER 3
Post-Reconstruction: Explorations Beyond Home

CHAPTER 4
An Observant Child in Birmingham

CHAPTER 5
Crossing the Mason-Dixon Line to Harrisburg

PART 2: NEW YORK JAZZ, 1921–1930

CHAPTER 6
Harlem Chorus Boy

CHAPTER 7
Celebrity Dance Instructor on Broadway

CHAPTER 8
A Black Choreographer on the Great White Way

PART 3: LONDON CALLING, 1931–1932

CHAPTER 9
Ever Green and Affirmation

CHAPTER 10
Appraising London

CHAPTER 11
Expatriation

PART 4: THE EXPANSIVE YEARS, 1932–1938

CHAPTER 12
On Pointe with Frederick Ashton and Noël Coward

CHAPTER 13
Ballyhoo to the Folies Bergère

CHAPTER 14
Seduction and the Camera’s Eye

CHAPTER 15
The Gauguin of the Dance

CHAPTER 16
Dancing on the Ceiling

CHAPTER 17
Top Hat and Tails

CHAPTER 18
Follow the Sun to Happy Returns

PART 5: SHIFTS IN RHYTHM, 1939–1960

CHAPTER 19
Dancing in the Blitz

CHAPTER 20
All That Jazz

CHAPTER 21
Jazz Maestro

CHAPTER 22
Troupes, Tours, and Baby Laurence

PART 6: RESOLUTION, 1961–1972

CHAPTER 23
The Swerving Sixties

CHAPTER 24
Back to the Future

EPILOGUE

Acknowledgments
Chronology
Notes
Bibliography
Image Credits
Index
Details
Erscheinungsjahr: 2026
Genre: Importe, Lyrik & Dramatik
Rubrik: Belletristik
Medium: Buch
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9780807045244
ISBN-10: 0807045241
Sprache: Englisch
Einband: Gebunden
Autor: Footer, Maureen
Hersteller: Beacon Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 236 x 161 x 31 mm
Von/Mit: Maureen Footer
Erscheinungsdatum: 12.05.2026
Gewicht: 0,65 kg
Artikel-ID: 135292046