Dekorationsartikel gehören nicht zum Leistungsumfang.
Fast Cars, Clean Bodies
Decolonization and the Reordering of French Culture
Taschenbuch von Kristin Ross
Sprache: Englisch

42,80 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
Fast Cars, Clean Bodies examines the crucial decade from Dien Bien Phu to the mid-1960s when France shifted rapidly from an agrarian, insular, and empire-oriented society to a decolonized, Americanized, and fully industrial one. In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts—automobiles, washing machines, women's magazines, film, popular fiction, even structuralism—as well as in the practices that shape, determine, and delimit their uses.

In each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces: social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France.

Modernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of "end of history" ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize "everyday life," laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.

Fast Cars, Clean Bodies examines the crucial decade from Dien Bien Phu to the mid-1960s when France shifted rapidly from an agrarian, insular, and empire-oriented society to a decolonized, Americanized, and fully industrial one. In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts—automobiles, washing machines, women's magazines, film, popular fiction, even structuralism—as well as in the practices that shape, determine, and delimit their uses.

In each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces: social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France.

Modernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of "end of history" ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize "everyday life," laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.

Über den Autor
Kristin Ross is Professor of Comparative Literature at New York University. She is the author of The Emergence of Social Space: Rimbaud and the Paris Commune.
Details
Empfohlen (von): 18
Erscheinungsjahr: 1996
Genre: Politikwissenschaft & Soziologie
Rubrik: Wissenschaften
Medium: Taschenbuch
Seiten: 274
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780262680912
ISBN-10: 0262680912
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Ross, Kristin
Redaktion: Baker, George
Bois, Yve-Alain
Hersteller: MIT Press Ltd
Maße: 228 x 178 x 18 mm
Von/Mit: Kristin Ross
Erscheinungsdatum: 28.02.1996
Gewicht: 0,444 kg
preigu-id: 101358892
Über den Autor
Kristin Ross is Professor of Comparative Literature at New York University. She is the author of The Emergence of Social Space: Rimbaud and the Paris Commune.
Details
Empfohlen (von): 18
Erscheinungsjahr: 1996
Genre: Politikwissenschaft & Soziologie
Rubrik: Wissenschaften
Medium: Taschenbuch
Seiten: 274
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780262680912
ISBN-10: 0262680912
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Ross, Kristin
Redaktion: Baker, George
Bois, Yve-Alain
Hersteller: MIT Press Ltd
Maße: 228 x 178 x 18 mm
Von/Mit: Kristin Ross
Erscheinungsdatum: 28.02.1996
Gewicht: 0,444 kg
preigu-id: 101358892
Warnhinweis

Ähnliche Produkte

Ähnliche Produkte